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Index
Cover
Title Page
Copyright
Dedication
Contents
Preface
“Bernard Malamud, Person and Writer”
“Mediterranean”
Part I. U.S. Voices
Introduction: “Moved by a Memory”: Bernard Malamud’s Literary Landscape
Novels
1. The Beard Makes the Man: Bernard Malamud’s A New Life
2. “I Shit My Death”: From the Providential to the Excremental in The Fixer
3. The Jew as Vampire in Bernard Malamud’s The Fixer
4. Malamud’s The Tenants and the Problem of Ralph Ellison’s Second Novel
5. Unbound and Un-bodied: Reading Race in Malamud’s The Tenants
Short Stories
6. Midrash, Memory, and “Miracles or Near-Miracles”: Bernard Malamud’s All-Too-Human Project
Part II. European Voices
Introduction: Encountering Bernard Malamud through an I-Thou Relationship
Novels
7. Rethinking the Discourse of Suffering in Bernard Malamud’s Fiction
8. “What’s in a Name?”: Aptronyms and Archetypes in Bernard Malamud’s The Assistant and The Fixer
9. Fixing Bernard Malamud’s The Fixer through Translation: From El hombre de Kiev (1967) to El reparador (2011)
10. Dostoevsky, Lawrence, Malamud: Malamud’s Heroes, Facing the Twin Rejection of Identity and Sensuality
11. Writing on the Edge of Doom: Theological Reflections on Bernard Malamud’s God’s Grace
Short Stories
12. Seeking the Man behind the Text or a Biographical Approach to Bernard Malamud’s Short Stories
13. Malamud’s Short Fiction: Angels and Specters
14. Bernard Malamud’s and John Updike’s Art Stories: The Act of Creation in “Still Life” and “Leaves”
15. Arthur Fidelman’s Aesthetic Adventures and Malamud’s Poetics of Creativity
Annotated Works Cited
Contributors
Index
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