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Index
Cover Half Title Full Title Copyright Contents Acknowledgments Contributors Introduction Part I Commodification and Consumption
1 Sultans of Spin: Syrian Sacred Music on the World Stage 2 Sounds Like the Mall of America: Programmed Music and the Architectonics of Commercial Space
Part II Cultural Tourism and Travel
3 Culture, Tourism, and Cultural Tourism: Boundaries and Frontiers in Performances of Balinese Music and Dance 4 Folk Festival as Modern Ritual in the Polish Tatra Mountains
Part III Gender and Sexuality
5 Taiko and the Asian/American Body: Drums, Rising Sun, and the Question of Gender 6 Empowering Self, Making Choices, Creating Spaces: Black Female Identity via Rap Music Performance 7 The Frame Drum in the Middle East: Women, Musical Instruments, and Power
Part IV Globalization and Glocalization
8 On Redefining the “Local” through World Music 9 The Canned Sardine Spirit Takes the Mic 10 A Musical Instrument Travels Around the World: Jenbe Playing in Bamako, West Africa, and Beyond
Part V Media, Technology, and Technoculture
11 Mozart in Mirrorshades: Ethnomusicology, Technology, and the Politics of Representation 12 Technology and the Production of Islamic Space: The Call to Prayer in Singapore 13 Acting Up, Talking Tech: New York Rock Musicians and Their Metaphors of Technology
Part VI Nationalism and Transnationalism
14 The Sonic Dimensions of Nationalism in Modern China: Musical Representation and Transformation 15 Russia's New Anthem and the Negotiation of National Identity 16 “Mezanmi, Kouman Nou Ye? My Friends, How Are You?”: Musical Constructions of the Haitian Transnation 17 “Indian” Music in the Diaspora: Case Studies of Chutney in Trinidad and in London
Part VII Place and Embodiment
18 The Embodiment of Salsa: Musicians, Instruments, and the Performance of a Latin Style and Identity 19 Dueling Landscapes: Singing Places and Identities in Highland Bolivia
Part VIII Racial and Ethnic Identities
20 Native American Rap and Reggae: Dancing “To the Beat of a Different Drummer” 21 From “I'm a Lapp” to “I am Saami”: Popular Music and Changing Images of Indigenous Ethnicity in Scandinavia
Part IX Social and Political Action
22 Cajun Music, Cultural Revival: Theorizing Political Action in Popular Music 23 Nitmiluk: Place, Politics, and Empowerment in Australian Aboriginal Popular Music 24 Culture, Conservation, and Community Reconstruction: Explorations in Advocacy Ethnomusicology and Participatory Action Research in Northern KwaZulu Natal
Glossary Research Resources
Books and Articles Audio Recordings Video Recordings Web Sites
Index
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