The Senses by Lupton, Ellen -- Read -- Imperial Library of Trantor

Index

Cover Title Copyright Contents Foreword Acknowledgments Why Sensory Design? Designing LIVE The Inclusive Museum

1. Equitable Use 2. Flexibility in Use 3. Simple and Intuitive Use 4. Perceptible Information 5. Tolerance for Error 6. Low Physical Effort 7. Size and Space for Approach and Use Conclusion

Notes on Touch

Touch is specialized Touch is layered Touch is social Touch is spatial Touch is active Touch is haptic Touch is visceral Touch is emotional Touch is visual Touch unites the senses

Sound

Sound is not the same as hearing Sound is personal Sound is haptic Sound is spatial Sound is synesthetic Sound is energy Sound is communication Sound signals danger Sound is material Sound is experience

Smell Flavor

Flavor is taste Flavor is smell Flavor is primal Flavor is emotional Flavor is tactile Flavor is visual Flavor is aural Flavor is contextual Flavor is a Gestalt

Sensory Materials Designing with Light

Light: How Much Is Enough? A Whiter Shade of Pale The Art of Fidelity In Living Color

The Sensory Table Scentscapes

How To Smell

Sensory Environments DeafSpace

Sensory Reach Cognitive Sensibilities Cultural Expression Light and Color

Tactile Sound Sonic Branding Tactile Graphics Drawing by Touch

A Tactile Drawing Board A Power User Design of Tools Tactile Mindfulness Mastery

Color & Cognition

Feelipa Color Code ColorADD System

Insights Beyond Vision Aging in Place

Tactility Light Color, Pattern, Line Smell

Accessible Service Design Visualizing Sound Notes Index