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Index
Copyright Page
Dedication Page
Contents
Contributors
Editorial Note and Acknowledgements
List of Abbreviations
List of Figures
List of Illustrations
List of Musical Quotations
List of Tables
Message from Dr Gottfried Haas, Ambassador of the Federal Republic of Germany
Micheal O’Siadhail, ‘Hopscotch’ and ‘Caprice’
Preface
Susan Youens
A: Goethe’s Musical Aesthetics
1 | Goethe’s Presence in the Vienna Music Scene of his Era
Otto Biba
2 | Goethe and Zelter: An Exchange of Musical Letters
Lorraine Byrne
B: Goethe and Beethoven
3 | Göthe and Beethowen: Men of Genius between Distance and Affinity
Claus Canisius
4 | ‘Ich denke dein’: Beethoven’s Retelling of Goethe’s Poetry
Amanda Glauert
5 | Fidelio and Faust in the German ‘Wende’ of 1989/90
Moray McGowan
C: Goethe as Musical Catalyst
6 | Goethe and the Czechs
Jan Smaczny
7 | Bettina von Arnim, Goethe and the Boundaries of Creativity
Briony Williams
8 | Blumengruß und Blumenglöckchen: Goethe’s Influence on Anton Webern
Gareth Cox
D: Musical and Philosophical Reflections of Wilhelm Meisters Lehrjahre
9 | ‘Thealogy’: Gods, Goddesses, and Wilhelm Meisters Lehrjahre
Nicholas Boyle
10 | Schumann’s Requiem für Mignon and the Concept of Music as Literature
Julian Horton
11 | Mignon’s Exequies and Aesthetic Reflections of the Liturgy in Music
Adolf Nowak
12 | Mignon und der Harfner
Seóirse Bodley
Appendices
Appendix 1 | Conference Programme
Appendix 2 | Goethe and the Guitar
Index
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