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Imperial Library
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Index
Contents
Foreword
Acknowledgments
Introduction: The Case for Greatness
One. The Raid
Two. Domestic Crude
Three. The Independent Quinn
Four. Gold Star Records
Five. Label's Demise, New Studio's Rise: Recording in the House
Six. Pappy Daily and Starday Records
Seven. The Big Studio Room Expansion
Eight. Daily's Dominance and D Records
Nine. Little Labels: Blues, Country, and Sharks
Ten. Into the '60s and Quinn's Last Sessions
Eleven. Duke-Peacock: The Gold Star Connection
Twelve. The HSP Corporation Experiment Begins
Thirteen. A House of Rock, Despite the Muck
Fourteen. The HSP Aftermath and a New Direction
Fifteen. International Artists Record Company: The Psychedelic Business Plan
Sixteen. Disillusioned Dissolution
Seventeen. Meaux Moves In, SugarHill Ascends
Eighteen. The Freddy Fender Phenomenon
Nineteen. The Later '70s and Early '80s
Twenty. Meaux's Final Phase
Twenty-One. Modern Music (Ad)Ventures
Twenty-Two. Emergence of a RAD Idea
Twenty-Three. Millennial Destiny
Twenty-Four. Still Tracking in the Twenty-first Century
Appendix A. Catalogue of Interviews
Appendix B. Chart Records from the House of Hits
Appendix C. Selected Discographies: A Partial History
Appendix D. Chronology of Gold Star / SugarHill Engineers
Bibliography
Index
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