The DSLR Filmmaker's Handbook by Andersson, Barry -- Read -- Imperial Library of Trantor

Index

Cover Title Page Copyright Publisher's Note Dedication Acknowledgments About the Authors Introduction

Who Should Read This Book What Is Covered in This Book How to Contact the Authors

Chapter 1: Fundamentals of DSLR Filmaking

Features of DSLR Cameras Features of SLR Lenses How Sensor Size and Lenses Interact

Chapter 2: Gear and Recommendations

What Camera Is Right for You? Lenses and Accessories Lights Audio Tripod and Dollies Specialty Items and Miscellaneous Planning Your Gear Package

Chapter 3: Testing and Custom Settings

Camera-Specific Testing Testing Equipment Interactions Using In-camera Presets Changing the Camera Presets for Image Control Customizing Your Picture Style: Steps for Canon DSLR Cameras

Chapter 4: Cameras and Lenses on Location

Using Cameras on Location Using Lenses on Location

Chapter 5: Camera Motion and Support

Camera Motion Types of Camera Movement Planning the Motion Gear for Designing and Controlling Movement Stabilizing Your Camera Motion Motion, the Edit, and Cutting

Chapter 6: Lighting on Location

Planning the Lights Choosing Lights Principles for Setting Lighting Types of Lights by Position Lighting for Special Situations Managing Light Light Quality Picking Exposure

Chapter 7: Sound on Location

The Role of Sound Recording Sound with DSLR Cameras Microphones and Key Accessories Planning, Setting Up, and Recording a Shoot

Chapter 8: Organizing and Storing Data in the Field

Setting Up a File System Capture Formats Backing Up Your Footage on Set Organizing Data on Set

Chapter 9: Troubleshooting

Avoiding Problems: What to Do, What to Take Shooting Problems Hardware Problems Ways to Save the Shot

Chapter 10: Converting and Editing Your Footage

Setting the Foundation for Post-Production Workflow Choosing the Right Hard Drives Backing Up Data Choosing and Using an Editing Codec Editing Your Footage

Chapter 11: Audio Crash Course

Syncing Your Audio and Video Troubleshooting Out-of-Sync Sound Automated Dialogue Replacement (ADR)

Chapter 12: Color Correction and Grading

Color Theory and the Eye Color Correction on Set: Outside of the Camera Color Correction on Set: Inside of the Camera What Is This Camera Shooting Anyway and Why Do I Care? Post-Production Color Correction and Grading

Chapter 13: Compression

Understanding Compression Outputting Your Video One File Fits All

Chapter 14: Fixing It in Post

Primary Color Correction Micromanaging with Regional Color Corrections Secondary Color Correction Faux Lens Effects Behind-the-Lens Fakery

Chapter 15: Workshops

A Brief Guide to Underwater Cinematography Rigging a Car Achieving That Cinematic Look: Ramping and Changing Frames per Second

Index