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Index
Cover
Half-Title
Title
Copyright
Contents
List of figures
Foreword
Acknowledgements
List of Contributors
Introduction
PART I: Definitions, histories and legacies
1 It is Alive if You Are: Defining experimental animation
2 A Consideration of the Absolute in Visual Music Animation
3 Experimental Animation and Motion Graphics
PART II: Interviews A
A1 Georges Schwizgebel
A2 Rose Bond
A3 William Kentridge
A4 Robert Sowa
PART III: From analogue to digital
4 Materiality, Experimental Process and Animated Identity
5 ‘Meticulously, Recklessly, Worked Upon’: Direct animation, the auratic and the index
6 Digital Experimentation: Extending animation’s expressive vocabulary
7 Beyond a Digital Écriture Féminine: Cyberfeminism and experimental computer animation
PART IV: Interviews B
B1 Jodie Mack
B2 Maya Yonesho
B3 Larry Cuba
B4 Max Hattler
PART V: Close analysis of individual artists
8 A Hermeneutic of Polyvalence: Deciphering narrative in Lewis Klahr’s The Pettifogger (2011)
9 How to be Human: The animations of Jim Trainor
PART VI: Interviews C
C1 Martha Colburn
C2 Masha Krasnova-Shabaeva
C3 Diego Akel
PART VI: Science and the cosmos
10 Animating the Cosmological Horizon: Between art and science
11 Where do Shapes Come From?
12 NASA’s Voyager fly-by Animations
PART VIII: Interviews D
D1 Tianran Duan
D2 David Theobald
D3 Gregory Bennett
Index
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