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Index
Dedication
Introduction
It’s Only Rock and Roll, but I Lived It
Origin Stories
Roots: Teachers
Influences
The Five Bands I Was in during Middle and High School
Family
How I Met My Wife
Growing Old as a “People Person”
Broken Bones: Like Father, Like Daughter
The Autobiography Chapter
Outgrowing the Mask
Rock Bands: Tribal Enablers
Making Choices
Disillusionment
Prioritizing
Fate
Mixing Art and Politics
Creative Juice
Blind Faith in Winning
Idealism versus Pragmatism
Ego and Abiding Grace
Reading Influences over My Life
Mental Health
On My Tangents and Melting Pots
Transitioning
The Grinding Horror Show of 2016–17
The Lifesaver of RES 9
Last Two Gigs: January 26 and 27, 2019, at Hugh’s Room, Toronto
Thoughts on Retirement
Wanderlust (Inside Out, Outside In)
The Triumph Chapter
“This Is the Guy”
Core Issues: Lead Vocal Profile on Focus Tracks
Songwriting Credits
Suing RCA and Moving to MCA
What I Can See from Here that I Couldn’t See from There
The Thunder Seven Production Project
Artistic Differences
More Red Ink
The Beginning of the End
The End of the End
The First Steps Back — Russell
Nostalgia
End Selfishness
Harmonizing Past, Present, and Future
Embracing the Mess
The Reunion Gigs
My Most Memorable Triumph Gigs
Low Sparks of Rock Star Boys
Fried by Flashpots — Twice
On the Popularity of Allied Forces
The “Rock & Roll Machine” Guitar Solo
The Music Biz
Ten Tips
Winning the Lottery, or the Work Ethic of a 360-Degree Approach
Promo
In Search of a Career
A Perspective on the Music Business
My Days of Advocacy
The Work
Games within the Game
Advice for Musicians: Being Self-Critical
On Leadership
Simplifying toward Positivity
Branding
Being a College Teacher
History of the Rock Music Biz
The Art of Music
Crossing over Party Lines
Accessing the Amygdala
The Poetry of the Moment
Moments in Time
Music in the Abstract
Making a Transcendent Moment
Stylin’
The Dynamics of Music Consumption
Musicianship: The Mindset of a Musician’s Musician
Performance: A Willing Surrender to the Moment
Composition versus Improvisation
Balance
Artist? Musician? Craftsman
Let the Music Tell You Where It Wants to Go
Provocation, Novelty, and What Money Can’t Buy
The Importance of Arranging
Tweaking the Formula
The Ephemeral Challenge of Finding Your Way to the Heart of the Performance
Experiences — Choices
The Biggest Fourteen-Hour Roller-Coaster Ride of My Life
What’s in a Name?
Baseball
Stealing Home
Where the Spirit Resides
Gig Stories
Jams with Legendary Musicians
The In Session Shows with Bruce Cockburn and Ian Thomas
The US Festival Heavy Metal Day
Celebrity Encounters
Receiving the Queen’s Silver Jubilee Medal
Big Nick
The Greasy Chicken Story
Canada Day Rehearsal with the Burlington Symphony
The Walk of Fame Announcement Dinner
Triumph Fan-Fest 2019
My Walk of Fame Acceptance Speech
Touring
The Background of Network Tour Dates
The Dynamics of Crowd Reactions
Superstitions and Performance Rituals
Post-Soundcheck Prep before Gigs
Performance Self-Preservation
Managing Expectations
Set List Construction
Bad Gig Stories
Summer Mini Tour with Nazareth
Planes and Trains and Automobiles: A Horror Story
Perspectives
Absolutely
Middle Ground: A Song, a Philosophy
Ipso Facto
The Spiral Notebook
Ten Invitations from the Mistress of Mr. E.
Swing Shift
Raw Quartet
The Spirit of Christmas
Live at Berklee
Handiwork and Good Faith
Strung-Out Troubadours
Liberty Manifesto
Push & Pull
Trifecta
reCOVERy Room 9
Then Again …
Marco’s Secret Songbook
RES 9
Folk Songs for the Farewell Bonfire
Songwriting
On Criticism, Critique, and Teaching Discriminating Taste
The Teaching and Learning of Music
Songwriting Process
Surviving Quality Assessment Review
Process — Flow
Lyrics vs. Poetry
Nuts and Bolts: The Craft of Art
Compromise and Collaboration
Creative Process
Let the Music Do the Talking
Song Characteristics
Transposing Pronouns
Time: The Great Equalizer, the Story Clock
Transcendence
Storytelling
Insight into the Triumph Evergreen Songs
Writing “Fight the Good Fight”
Guitar, Guitar, Guitar
The Search for the Holy Grail
The Death of Guitar Solos
Guitar Heroism
Philosophical Advice
Control Issues: The Marketplace
On Pessimism and Optimism
On Artistry
My Own Music Playing at Home
The Inner Critic
Life Lessons
Time
A Musician’s Life of Good Faith in His Garden
Portrait of the Artist
Who Am I? Who Have I Been?
Accountability
Smaller or Larger Venues?
Integrity
Business Practice and Tolerance for Risk
Image
Process: The Studio, the Cloister
User Friendly Engineering
Take a Bow
Acknowledgements
Photos
About the Author
Copyright
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