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Index
Cover Title Page Copyright Page Contents Acknowledgments Foreword Introduction The Buckeye Part I. “This is where I belong”
“Dangerously Free”: Morrison’s Unspeakable Territory Modernity and the Homeless: Toni Morrison and the Fictions of Modernism Resurrecting the Dead Girl: Modernism and the Problem of History in Beloved, Jazz, and Paradise To Make a Humanist Black: Toni Wofford’s Howard Years
Part II. “Regrets, excuses, righteousness, false memory and future plans mixed together or stood like soldiers in line”
Trying to Get Home: Place and Memory in Toni Morrison’s Fiction The Pursuit of Memory Personal and Cultural Memory in A Mercy Love: An Elegy for the African American Community, or The Unintended Consequences of Desegregation/Integration
Part III. “Her garden was not Eden; it was so much more than that”
From Eden to Paradise: A Pilgrimage through Toni Morrison’s Trilogy “And the Greatest of These”: Toni Morrison, the Bible, Love Palimpsest: Reading John Winthrop through the Morrison Trilogy Magically Flying with Toni Morrison: Mexico, Gabriel García Márquez, Song of Solomon, and Sula
Part IV. “Now it seemed both fresh and ancient, safe and demanding”
Property and American Identity in Toni Morrison’s Beloved Aeschylus, Euripides, and Toni Morrison: Miasma, Revenge, and Atonement Toni Morrison’s Performance of the Word in Song of Solomon: The Folkloric, the Fantastic, and “Some Old Folk’s Lie” “A Kind of Restoration”: Psychogeographies of Healing in Toni Morrison’s Home
Part V. “You can keep on writing but I think you ought to know what’s true”
Aesthetic Activity “‘There is the Power,’ he thought, ‘right there’”: Dramatizing Entropy in Tar Baby and Paradise Telling Stories: Evolving Narrative Identity in Toni Morrison’s Home “Newness trembles me”? Representations of White Masculinity in Toni Morrison’s A Mercy The Sound of Change: A Musical Transit through the Wounded Modernity of Desdemona Aaayeee Babo, Aaayeee Babo, Aaayeee Babo
Contributors Index
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