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Index
Cover
Half-Title
Series
Title
Contents
List of Figures
Acknowledgments
PART I Introduction
1.1 Squaring Performance Art
PART II Issues and Problems: Future Directions in Performance Art Research
2.1 Reruns or New Turns
2.2 Cross-disciplinarity and Antitheatrical Historiographies of Performance Art
PART III Essays
3.1 How Performance Art Makes History: Artists’ Auto-histories of Happenings and Fluxus in the 1960s
3.2 Queer Performativity: A Critical Genealogy of a Politics of Doing in Art Practice
3.3 Taking Up Instructions for Becoming
3.4 Caring for Black Corporealities: Experimental Black Performance
3.5 Between Contemporary Art and Performance: Dramaturgy and Flow
3.6 Acting Ethical: Performance Art Goes Public
3.7 Compassionate Acts: Performance as Radical Care
3.8 The Labor of the Artist, Feminist Practices, and Troubles with Infrastructure
3.9 Gestural Study
3.10 Stomaching It: Testing Endurance in Black Performance Art
3.11 Performative Bodies and Artists/Spectators: The Case of Radical Latina and Latin American Women Artists in Exhibition
3.12 Framing Live Art
3.13 From the Institution of Performance to the Performance of Institutions
3.14 Performance in the Age of the Technosphere
PART IV Annotated Bibliography and Resources
Annotated Bibliography
Notes on Contributors
Index
Copyright
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