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Index
Cover
Half Title
Title Page
Copyright Page
Original Title Page
Original Copyright Page
Dedication
Table of Contents
Acknowledgements
Illustrations
Introduction
1 The one to one relation between viewer and viewed
2 The concept of arbitrariness
3 Implicating materialism with physicality
4 Presence
5 Content
6 The subject
7 Film as film
8 Perception versus knowledge
9 Fetishization of process
10 Deconstruction
11 Deconstruction and sexuality
12 Denial of semioticity
13 Andy Warhol's Kitchen (1965)
14 The stare and voyeurism
15 Lis Rhodes' Light Reading (1978)
16 Questions around structural/materialist film
17 Meaning and illusion
18 The close-up
19 Context
20 History
21 The literal
22 Artistic subject/aesthetic subject
23 Duration
24 Splice
25 Filmmakers' statements
26 Performance
27 Film as material
28 Cinema verité
29 Audience numbers and sex
30 Rose Lowder's Composed Recurrence (1981)
31 Kurt Kren's TV (1966)
32 The London Filmmakers Co-operative
33 Repetition
34 Humanism and anti-humanism
35 Socialism/optimism/pessimism
36 A little polemic on production
37 Autonomy and anonymity
Notes
Index
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