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Index
Cover
Half title
Title
Copyright
Contents
List of Illustrations
Acknowledgments
Introduction
Part One The Portrait Poem to 1912
1. Portraiture in the Rossetti Circle: Window, Object, or Mirror
2. Ezra Pound: Portraiture and Originality
3. T. S. Eliot: Getting Out of the Picture
Part Two Modulations 1912 to 1922
4. Contraction: From Picture Sonnet to Epigram
5. Expansion: Ezra Pound and Avant-Garde Portraiture
6. Pastoral Mode: William Carlos Williams and Nativist Portraiture
Coda: Rossetti and E. E. Cummings
Notes
Selected Bibliography
Index
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