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Index
Colonialism and Nationalism in Asian Cinema
Contents
Acknowledgments
INTRODUCTION: Nationhood, History, and Cinema: Reflections on the Asian Scene
1 Warring Bodies: Most Nationalistic Selves
Notes
2 The "Peace Dividend" in Japanese Cinema: Metaphors of a Demilitarized Nation
Nation and Cinema
Nation and Metaphor
Nation and Gender: Japan's "Trans-Sexual" Identity
Japan in Youth: Growing Pains of the Peace Dividend
Feminine Japan: The World's Oldest Metaphor
Masculine Japan: The Lonely Soldier in the Cold War
Japan as the Dismembered Family Politic: The Homeless Honne
Note
3 Ideology of the Body in Red Sorghum: National Allegory, National Roots, and Third Cinema
Violence and Obscenity: Images of the Body
Carnival: The Private (Re-)Turned to the Public
Red Wine: A Poetic Spirit Shared by the Public
An Innocent Narrator: Politics of De-Politicized Narration
Ideology of the Body: Search for National Roots
Liberation: Third Cinema and National Allegory
4 A Nation T(w/o)o: Chinese Cinema(s) and Nationhood(s)
More Mao Than Ever
How Many Chinas Does It Take?
From ImagiNation to DissemiNation
Borderline Problems
Taipei or Not Taipei?
Bibliography
5 Korean Cinema and the New Realism: Text and Context
Korean Society 1960-1991, from the Minjung Perspective2
Yogong
Kwangju: The Turning Point
Students' Opposition
The Film Industry
Realism and Narrative
The Films
Conclusion
Filmography
Korean Texts
6 Melodramas of Korean National Identity: From Mandala to Black Republic
7 Vietnamese Cinema: First Views
The Vietnam Cinema Department
Government and Filmmakers
Nguyen Thu
Education and Influences
Documentary and Scientific Films
Characteristics of Vietnamese Cinema
Feature Films and Directors
Themes of Vietnamese Cinema
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