Log In
Or create an account ->
Imperial Library
Home
About
News
Upload
Forum
Help
Login/SignUp
Index
Cover
Title Page
Copyright Page
Contents
List of Figures
List of Contributors
Part I Genre
1. What Is Shakespearean Tragedy?
2. The Classical Inheritance
3. The Medieval Inheritance
4. The Romantic Inheritance
5. Ethics and Shakespearean Tragedy
6. Character in Shakespearean Tragedy
7. Preposterous Nature in Shakespeare’s Tragedies
8. Shakespearean Tragedy and the Language of Lament
9. The Pity of It: Shakespearean Tragedy and Affect
10. ‘Do You See This?’ The Politics of Attention in Shakespearean Tragedy
11. Tragedy and Religion: Religion and Revenge in Titus Andronicus and Hamlet
12. Shakespeare’s Anatomies of Death
13. ‘Minded Like the Weather’: The Tragic Body and its Passions
14. Shakespeare’s Tragedy and English History
15. Shakespeare’s Tragedy and Roman History
16. Tragedy and the Satiric Voice
17. ‘The action of my life’: Tragedy, Tragicomedy, and Shakespeare’s Mimetic Experiments
18. Queer Tragedy, or Two Meditations on Cause
Part II Textual Issues
19. Authorial Revision in the Tragedies
20. Digital Approaches to the Language of Shakespearean Tragedy
Part III Reading the Tragedies
21. ‘Romaine Tragedie’: The Designs of Titus Andronicus
22. Romeo and Juliet as Event
23. Julius Caesar: Making History
24. The Question of Hamlet
25. Seeing Blackness: Reading Race in Othello
26. King Lear and the Death of the World
27. ‘O horror! horror! horror!’ Macbeth and Fear
28. Antony and Cleopatra
29. Coriolanus: A Tragedy of Language
Part IV Stage and Screen
30. Early Modern Tragedy and Performance
31. Performing Shakespearean Tragedy, 1660–1780
32. Staging Shakespearean Tragedy: The Nineteenth Century
33. Tragedy in Twentieth and Twenty-first Century Theatre Production: Hamlet, Lear, and the Politics of Intimacy
34. Ontological Shivers: The Cinematic Afterlives of Shakespeare’s Romeo and Juliet
35. Hamlet: Tragedy and Film Adaptation
36. Intermediated Bodies and Bodies of Media: Screen Othellos
37. Screening the Tragedies: King Lear
38. Macbeth on Changing Screens
39. The Roman Plays on Screen: Autonomy, Serialization, Conflation
40. ‘The Bowe of Ulysses’: Reworking the Tragedies of Shakespeare
41. Shakespeare’s Tragedies on the Operatic Stage
Part V The Tragedies Worldwide: (I) European Responses
42. The Tragedies in Italy
43. The Tragedies in Germany
44. French Receptions of Shakespearean Tragedy: Between Liberty and Memory
45. Shakespearean Tragedy in Eastern Europe
46. Shakespearean Tragedy in Russia: In Equal Scale Weighing Delight and Dole
Part VI The Tragedies Worldwide: (II) The Wider World
47. Shakespearean Tragedy in the Nineteenth-Century United States: The Case of Julius Caesar
48. Unsettling the Bard: Australasia and the Pacific
49. Shakespeare’s Tragedies in Southern Africa
50. In Blood Stepped in: Tragedy and the Modern Israelites
51. Shakespeare’s Tragedies in North Africa and the Arab World
52. Shakespearean Tragedy in Latin America and the Caribbean
53. Shakespearean Tragedy in India: Politics of Genre—or How Newness Entered Indian Literary Culture
54. ‘It is the East’: Shakespearean Tragedies in East Asia
Index
← Prev
Back
Next →
← Prev
Back
Next →