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Index
Cover Half title Title Copyright Dedication Contents List of Illustrations Preface and Acknowledgments Note on Transliteration and Translation Introduction
“When Shakespeare Travels Abroad” The Global Kaleidoscope Hamlet and Political Agency
1 Hamlet in the Daily Discourse of Arab Identity
“Time Out of Joint”: Coming to Terms with History “Shall We Be or Not Be?”: Personifying the Group “Words, Words, Words”: Forging an Identity “The Play’s the Thing”
2 Nasser’s Dramatic Imagination, 1952–64
Revolutionary Drama Theatre Joins the Battle Shakespeare on the Sidelines
3 The Global Kaleidoscope: How Egyptians Got Their Hamlet, 1901–64
Beyond Caliban “Bend Again toward France” “Do It, England!” Independence and Soviet Shakespeare Bidayr’s “Cruel Text”
4 Hamletizing the Arab Muslim Hero, 1964–67
In Search of Social Justice Psychological Interiority as a Ground for Political Agency Sulayman: “Justice or Oppression? That Is the Puzzle” Al-Hallaj: “Who Will Give Me a Seeing Sword?” De-Hamletized Revivals
5 Time Out of Joint, 1967–76
“Something Is Rotten”: Theatre and the 1967 Defeat Martyrs for Justice: “Abstract and Brief Chronicles” of the 1970s Sadat’s Open Door: “To Cook or Not to Cook?” A Dilemma
6 Six Plays in Search of a Protagonist, 1976–2002
Silencing Hamlet “A Play Can’t Stab” “His Sword Kept Sticking Up” A Prodigal Cousin Post-Political Laughs
Epilogue: Hamlets without Hamlet Notes Bibliography Index
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