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Index
Cover Page Title Page Copyright Page Notes on contributors Acknowledgments Introduction: The missing link PART I Theory’s modernism: concrete connections
1 Rip the veil of the old vision across, and walk through the rent: thinking through affect in D. H. Lawrence and Deleuze and Guattari Deleuze and his sources Response to Anneleen Masschelein 2 Modernism, postmodernism, and the two sublimes of surrealism The two sublimes, fourth time around Response to Roger Rothman 3 “What true project has been lost?” Modern art and Henri Lefebvre’s Critique of Everyday Life Disdained everyday fields Response to Thomas S. Davis 4 Time and its countermeasures: modern messianisms in Woolf, Benjamin, and Agamben Time’s exception Response to Hilary Thompson
PART II Modernism’s theory: abstract affiliations
5 The persistence of the old regime: late modernist form in the postmodern period In the time of theory, the timeliness of modernism Response to Neil Levi 6 Invisible times: modernism as ruptural unity More than a hint of desperation – historicizing modernism Response to C. D. Blanton 7 “This new evolution of art”: Adorno’s modernism as a re-orientation of aesthetics What’s new? On Adorno and the modernist aesthetics of novelty Response to Oleg Gelikman 8 Fables of progression: modernism, modernity, narrative Modernism and the moment of defeat Response to Andrew John Miller
PART III Forum
9 Aesthetics 10 Ethics 11 Green 12 Avant-garde 13 Theory
Afterword
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