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Index
Acknowledgments
Introduction Intravernacular Dialogues, Jazz Performativity, and the Griot’s Meta-linguistic Praxes
Chapter 1 The Sound of Grammar: Blues and Jazz as Meta-languages of Storytelling in Langston Hughes’s Ask Your Mama
Chapter 2 Move On Up: Free Jazz and Rhythm and Blues Performativities as Creative Acts of Cultural Re-inscription in David Henderson’s De Mayor of Harlem
Chapter 3 Sister in the Struggle: Jazz Linguistics and the Feminized Quest for a Communicative “Sound” in Sonia Sanchez’s Home Coming and We A BaddDDD People
Chapter 4 Birth of a Free Jazz Nation: Amiri Baraka’s Jazz Historiography from Black Magic to Wise Why’s Y’s
Coda
Bibliography
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