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Imperial Library
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Index
Title
Contents
Introduction
Part One: Conflict Makes the Story
[ 1 ] Defining Conflict
[ 2 ] Motivation and Realism
[ 3 ] An Explicit Mission and Opposition
[ 4 ] Plot and Internal/External Conflict
[ 5 ] Character Goals and Organization
[ 6 ] Conflict Checklist
Part Two: Once More with Feeling
[ 7 ] Learning Emotional Triggers
[ 8 ] Characters and Emotion
[ 9 ] Internal Narrative and Deep Point of View
[ 10 ] Word Pictures and Digging More Deeply
[ 11 ] Feeling the Story: An Examination of Pay It Forward
[ 12 ] Sacrifice and Evocative vs. Emotional Writing
Part Three: Setting Is More Than a Backdrop
[ 13 ] Defining Setting and Observation
[ 14 ] What Can Setting Do for Your Story?
[ 15 ] Using Indirect Description
[ 16 ] Creating Realism with Setting Details: Details Affect Character
[ 17 ] Researching Your Location
[ 18 ] Weaving Your Tapestry
Part Four: Tension and Pressure
[ 19 ] Creating Tension in a Scene
[ 20 ] Sustaining Tension
[ 21 ] Physical Responses
Part Five: Dialogue
[ 22 ] Revealing Character Through Speech
[ 23 ] Expressing Emotion by Omission
Part Six: Drawing Emotions from Characters
[ 24 ] Character as a Compass for Emotions
[ 25 ] What’s in a Name?
[ 26 ] Where Do Great Characters Come From?
[ 27 ] The Reader Must Care
[ 28 ] Techniques to Make the Reader Care
Wrapping It Up
Copyright
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