Recovering Your Story by Weinstein, Arnold -- Read -- Imperial Library of Trantor

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COVER PAGE TITLE PAGE TABLE OF CONTENTS DEDICATION PREFACE INTRODUCTION MARCEL PROUST

THE WORLD IS THE SELF PROUST UPFRONT THE MADELEINE FALSE BOTTOMS AND REVERSALS PERCEPTION AND METAMORPHOSIS TRANSFORMATIVE ART IMPRESSIONIST PROSE: FORGETTING WHAT YOU “KNOW” HOW TO WRITE SEXUAL OTHERNESS BIRDS AND BEES MATING RITUALS AND HIDDEN KINSHIPS THE SEXUAL MAP HABIT AND PERCEPTION LOVE, FUSION, AND TRANSPARENCY LIES AND CREATIVITY SOCIETY JEALOUSY STAGES OF LOVING: YOU CAN’T GET THERE FROM HERE THE INNER CARTOGRAPHY A WORLD OF LINKAGE AND BONDS THE FOURTH-DIMENSIONAL WORLD MEMORY LIFE AS PALIMPSEST TAKING OUR MEASURE RECOVERING YOUR STORY

JAMES JOYCE

SONG OF BODY AND MIND JOYCE UP-FRONT JOYCEAN BEGINNINGS THE READER AS ULYSSES REWRITING STEPHEN DEDALUS IF LIFE HAS NO PLOT, WHY SHOULD BOOKS? JOYCEAN MUSIC HISTORY AS A NIGHTMARE A TEXT THAT TALKS BACK WRITING AND METAMORPHOSIS STEPHEN EXPOSED MY JOYCE: FALSTAFFIAN THE ADVENT OF BLOOM LIFE’S SMALL PLEASURES; PLOT RETURNS BLOOM THE ARTFUL DODGER LOTUS AND THE TECHNIQUES OF EVASION KEEPING GHOSTS AT BAY THE OPIATE OF THE MASSES THE ART OF SELF-DEFENSE ESCAPING DEATH JOYCEAN PYROTECHNICS BIRTHING BABIES, BIRTHING ENGLISH STEPHEN’S HIGH-WIRE ACT RETURN TO BLOOM: WONDER WHOSE THOUGHTS YOU’RE CHEWING THE SOUND OF LOVE THE “SLLT” PRINCIPLE AT WORK ONE-EYED VISION HEROIC BLOOM ROMANCE: HARLEQUIN-STYLE THE MACHINERY OF ECSTASY POST-ORGASM MUSING CIRCE: CIRCUS CONSCIOUSNESS AS TERRORISM: BLOOM ON TRIAL CIRCE AND SADOMASOCHISM CHANGING SEX KINKY VISIONARY ENCOUNTERS THERE’S NO PLACE LIKE HOME CHARACTER AS TOY BLOOM THE CIPHER PHILOSOPHY IN THE BEDROOM A WOMB WITH A VIEW MERCURIAL MOLLY THE WAY OF ALL FLESH ENTERING THE WINE-DARK SEA

VIRGINIA WOOLF

YOUR SPREAD-OUT STORY WOOLF UP-FRONT THE SLIPPERY MRS. WOOLF WOMEN’S TOPICS VERSUS MEN’S TOPICS MRS. DALLOWAY: PLUNGING INTO LIFE LONDON ANTHEM INTERRELATIONSHIP THE OTHER AS MY PORTRAITIST AND SCRIBE YOUR STORY: WHIMSICAL, ELASTIC, FANTASTIC THE RETURN OF THE PAST LOST LOVE: PETER LOST LOVE: SALLY PASSION IN ITS PLACE WHAT HAVE YOU MADE OF YOUR LIFE? THE DEATH OF THE SOUL RIPENESS IS ALL: THE GAINS OF AGE IT IS CERTAIN WE MUST DIE PARTY GIRL DAMAGED SEPTIMUS: CLARISSA’S DARK ALTER EGO SEPTIMUS THE SEER THE DOCTORS ARRIVE SEPTIMUS WOOLF: A SELF-PORTRAIT UNFOLDING OUR PAST RECKONING WITH THE DEAD ENDURING MARRIAGE MIRACULOUS MRS. RAMSAY ANGULAR MR. RAMSAY QUESTER THE VIOLENCE OF MARRIAGE OUR HIDDEN SOUND AND FURY FATALISTIC MRS. RAMSAY STAMMERING HUMAN CONNECTION: FROM HUSBAND TO WIFE A NEW LANGUAGE OF CONNECTION: FROM WIFE TO HUSBAND LEAVING THE PRISON OF SELF LOSING SELF AND FINDING ECSTSAY DINNER AND THE SOCIAL CONTRACT WOMEN’S WORK, MEN’S WORK A FEAST FOR THE HEART TIME PASSES, DEATH REIGNS REACHING MRS. RAMSAY CAN LOVE DIE? HUMAN FEELING: THE MOTOR FORCE OF ART ART AND RESURRECTION TO THE LIGHTHOUSE

WILLIAM FAULKNER

TRAUMA AND COLLAPSE FAULKNER UP-FRONT BEYOND THE SOUTH FAULKNER’S STATURE HURRAH FOR THE FRENCH FAULKNER AND ME THE STRANGE SOUTH FAULKNER’S SINS LITERATURE AND/AS IDEOLOGY ? THE SOUND AND THE FURY: FAULKNER IS BORN WHAT WE KNOW, WHAT BENJY KNOWS WRITING THE STORY OF LOSS TELESCOPIC WRITING LIFE WITHOUT LABELS, FICTION WITHOUT EXPLANATIONS THE SHAPE OF A LIFE: “HERE CADDIE” THE INSIDE WORLD AND THE LAW OF INVISIBILITY THE SUICIDE’S STORY FAILING THE SOCIAL TEST AMBUSHED FROM THE INSIDE QUENTIN’S HANG-UPS VERBAL INCEST THE GHOSTS TAKE OVER GOING UNDER “I” LIES DYING JASON: THE FIRST SANE COMPSON FULL OF SOUND AND FURY THE LITTLE MAN’S ANGER, THE NOVEL’S HUMOR STRUTTING AND FRETTING HIS HOUR UPON THE STAGE GOING BEYOND THE FIRST PERSON, BEYOND SUBJECTIVITY THIRD-PERSON NARRATIVE: SEEING FROM THE OUTSIDE WRITING THE SPIRITUAL THE COMEUPPANCE OF JASON COMPSON THE EASTER SERMON BROTHERS AND SISTERS VISION AND WRITING THE FAULKNER CURVE: FROM PRIVATE STORY TO HISTORICAL TRAGEDY ABSALOM, ABSALOM !: QUENTIN COMPSON REDUX A STORY WITH ECHOES WRITING HOLOCAUST YOUR STORY: HISTORY’S STAGE QUENTIN COMPSON: HAUNTED GOOD-BYE, SOUTHERN ROMANCE THE SUTPEN STORY: INCOHERENT AND IMPERIOUS UNRELIABLE ROSA? MR COMPSON’S PERSPECTIVE THE FAMILY ROMANCE THE FABRIC OF HISTORY WHY NOT TELL IT STRAIGHT? ROSA COLDFIELD: “A MIGHT-HAVE-BEEN WHICH IS MORE TRUE THAN TRUTH” HUMAN GARDEN, HUMAN SEED LET FLESH TOUCH WITH FLESH ROSA AS SUN FROM MISSISSIPPI TO MASSACHUSETTS: ENTER SHREVE TWO BOYS IN A DORMITORY: A MARRIAGE OF SPEAKING AND HEARING SUTPEN’S PAST KEEPING YOUR STORY OPEN, MAKING YOUR WORDS REAL SUTPEN’S DESIGN AND INNOCENCE SUTPEN’S TRAGIC FLAW THE HORRENDOUS LOGIC OF SUTPEN’S FALL THE OVERPASS TO LOVE BECOMING CHARLES BON FOUR BOYS ON TWO HORSES OVERPASS TO DEATH

TONI MORRISON

TOXIC STORY MORRISON UP-FRONT MORRISON AND THE MODERNIST LEGACY SULA: MORRISON’S INDIVIDUALIST FANTASIA MURDEROUS LOVE, CREATURES OF FABLE NIETZSCHEAN SULA REIMAGINING FREEDOM: BELOVED THE WALKING WOUNDED AND THE AMNESIACS RECOVERING YOUR STORY? PROUST REDUX JOYCE REDUX WOOLF REDUX FAULKNER REDUX ENTER THE GHOST THE HEART: A CLOSED TOBACCO TIN INSIDE: OFF-LIMITS THE BIRTH STORY ANYTHING DEAD COMING BACK TO LIFE HURTS SPIRIT BECOMES FLESH UMBILICAL WORLD RED HEART DISMEMBERING, REMEMBERING THE HOLY BODY THE MILK OF HUMAN KINDNESS LETHAL LOVE THROUGH THE VEIL THE COSMOLOGY OF “THICK LOVE” THE MYSTERY OF BELOVED THE REUNITED FAMILY: INSATIABLE NEEDS WHY ALL THE BELOVEDS? ENTER THE COMMUNITY, EXIT THE GHOST BEYOND SELF

BIBLIOGRAPHY ACKNOWLEDGMENTS CONCLUSION ABOUT THE AUTHOR ALSO BY ARNOLD WEINSTEIN COPYRIGHT PAGE

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