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Index
Europäisch-jüdische Studien Beiträge
Title Page
Copyright Page
Table of Contents
Orientalism, Gender, and the Jews - Literary and Artistic Transformations of European National Discourses
Context
Orientalism, Germany, and the Jews
Jewish Self-Orientalization
Gender, Sexuality, and Orientalism
Instead of a Conclusion: Further Perspectives
Asians in Europe - Reading German-Jewish History through a Postcolonial Lens
German Orientalism
Studying Jews and Muslims: Historical Roots and Institutional Frameworks
The Gender Dimension
Jews and Orientalism
Conclusions
Prussians, Jews, Egyptians? - Berlin Jewish Salonières around 1800 and Their Guests. Discursive Constructions of Equality and Otherness
Jewish Women in Berlin around 1800 and their “Salons”
Salon Letters and “Salon Tone”
Conversion and (No) Scandal in 1799
“A Cognition of Jewishness” – Salon Guests and the Jewish Body
From Praising the Settee to the “Judensofa”
“This is not Jew-Hatred yet.” Reactions of the Salon Women
Conclusion
“Good to Think” - (Re)Conceptualizing German-Jewish Orientalism
Orientalization as a Tool for Negotiating the Emancipation of Women and Jews in Fanny Lewald’s Novel Jenny (1843)
(Re)Conceptualizing German-Jewish Orientalism
Ephraim Moses Lilien - The Figure of the “Beautiful Jewess,” the Orient, the Bible, and Zionism
Photography and Graphic Art – Authentication and Artistic Design
(Cultural) Zionism and the “Beautiful Jewess” Figure
Horace Vernet: Revitalizing the Bible or the New Religious Painting of Orientalism
Zionism, Colonialism, and the German Empire - Herzl’s Gloves and Mbwapwa’s Umbrella
Colonial Shibboleths
The Ambiguity of Mbwapwa’s Umbrella
The Ambivalence of Herzl’s Gloves
Gloves Off! – Showing their Hands
Kafka’s “Schakale und Araber” and the Question of Genre - Gleichnis, Tiergeschichte, or dialektisches Bild?
What Species of Gattung?
A Ménagerie à trois
A Jackal of All Trades
From Animadversions to Animal Versions
Desire, Excess, and Integration - Orientalist Fantasies, Moral Sentiments, and the Place of Jews in German Society as Portrayed in Films of the Weimar Republic
The Gaze of the Jewess: Eros and Death in Paul Wegener’s Film Der Golem (1920)
Florian
Miriam
The Golem
Order and Orientalism
The Gaze of the Archduchess: Desire and Tradition in E. A. Dupont’s Film Das alte Gesetz (1923)
Journey to Vienna
Erotic Desire
Longing, Shame, and Reconciliation
Difference and Dual Integration or Der Golemversus Das alte Gesetz
Cinema as Moral Laboratory
Jewish Drag - The Ostjude as Anti-Zionist Hero in Arnold Zweig’s De Vriendt kehrt heim
Zionism, Gender, and Sexuality
Border Crossings: Ostjuden, Orientals, and the Return to Origins
The Sacrifice of Isaac: Envisioning a Jewish–Arab Coalition
Re-Orientalizing the Jew - Zionist and Contemporary Israeli Masculinities
New Models, Old Patterns
The Modern Discourse on Jewish Sexuality, Effeminacy, and Orientalism
From Jewish to Israeli Masculinity
The Continued Evolution of Jewish-Israeli Masculinity
“All Jews are womanly, but no women are Jews.” - The “Femininity” Game of Deception: Female Jew, femme fatale Orientale, and belle Juive
Jewish Cultural Studies, Feminism, and Queer Theory
Between the Poles of Oriental Femininity and Jewishness: the “Beautiful Jewess”
Salome: femme fatale Orientale or belle Juive?
Oscar Wilde’s and Maud Allan’s Salome as aFigure of the Third
The Psychoanalytical Theory of Femininity and the Omission of the “Jewish female” from Early Scholarly Discourse
The Trace of Repression of the Jewish Woman in Freud’s Psychoanalysis
Judith or the Taboo of Virginity
Between Orientalization and Self-Orientalization - Remarks on the Image of the “Beautiful Jewess” in Nineteenth-and Early-Twentieth-Century European Literature
Images of Jewish Women
Orientalization
Self-Orientalization
Conclusion
To See or Not to See - The Gaze and Gender in the Jewish, Christian, and Muslim Cultures
Religion and Gender Order
Religion and Image
Veils in Action - The “Oriental Other” and Its Performative Deconstruction in Modern Fashion and Art
In-between: The Performativity of Vestimentary Signs
Veiling/Unveiling: Dance and Design around 1900
Hijabising: Contemporary Veil Art and Performance
List of illustrations and acknowledgements
Embodied Protest - Nakedness and the Partition of Gazes
Introduction
“My body belongs to me”
Naked Protest and Critique of Islam
Travelling Images
Conclusions
Works Cited
Archival Materials
Films
Printed and Internet Sources
List of Contributors
Index
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