Log In
Or create an account ->
Imperial Library
Home
About
News
Upload
Forum
Help
Login/SignUp
Index
COVER PAGE
TITLE PAGE
COPYRIGHT PAGE
Contents
ACKNOWLEDGMENTS
INTRODUCTION
1: NATION, STATE, AND FILMMAKING IN CONTEMPORARY ARGENTINA
THE POLITICS OF NATIONAL FILM STUDIES: THE ARGENTINE CASE
TEXTS OF TRANSITION: INDEPENDENT ART UNDER NEOLIBERALISM
2: NEW ARGENTINE CINEMA AND THE PRODUCTION OF SOCIAL KNOWLEDGE
A CINEMA OF THE INTERSTICES: PIZZA, BIRRA, FASO
LA FE DEL VOLCÁN: THE ILLEGIBILITY OF THE IMAGE
MUNDO GRÚA AND THE (AUTO)ETHNOGRAPHIC GAZE IN NEW ARGENTINE CINEMA
3: LABOR, BODIES, AND CIRCULATION
FILMING LABOR AND THE LABOR OF FILM: BOLIVIA AND LISANDRO ALONSO’S TRILOGY
MARTIN REJTMAN: MODES OF LABOR AND SUBJECTIVITY IN (PRE)CAPITALIST ARGENTINA
4: CRIME AND CAPITALISM IN GENRE CINEMA
NDEVE REINAS AND EL AURA: SIMULATION AND REALITY IN THE CRIME THRILLER
UN OSO ROJO: THE CONTESTED SPACES OF AN URBAN WESTERN
SHADES OF NOIR IN LA CRUZ DEL SUR
POSTGENERIC FILM IN ARGENTINA
5: NATION, MIGRATION, AND GLOBALIZATION
IMAGES OF RURAL ARGENTINA
MIGRATION AND THE NARRATIVES OF NATIONHOOD
POSTNATIONAL IDENTITIES AND STRATEGIES OF RETERRITORIALIZATION
6: MEMORY AND SUBJECTIVITY
MEMORY AND SPECTATORSHIP IN POTESTAD
LOS RUBIOS AND THE POLITICS OF TESTIMONY
7: THE POLITICS OF PRIVATE SPACE
ALLEGORY AND REFLEXIVITY IN THE FILMS OF LUCRECIA MARTEL
CONCLUSION
NOTES
INTRODUCTION
1. NATION, STATE, AND FILMMAKING IN CONTEMPORARY ARGENTINA
2. NEW ARGENTINE CINEMA AND THE PRODUCTION OF SOCIAL KNOWLEDGE
3. LABOR, BODIES, AND CIRCULATION
4. CRIME AND CAPITALISM IN GENRE CINEMA
5. NATION, MIGRATION, AND GLOBALIZATION
6. MEMORY AND SUBJECTIVITY
7. THE POLITICS OF PRIVATE SPACE
CONCLUSION
BIBLIOGRAPHY
← Prev
Back
Next →
← Prev
Back
Next →