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Index
Cover Page
Title Page
Copyright Page
Contents
List of Figures
List of Plates
Notes on Contributors
A Museum of My Own: Notes on the Cover Image
Acknowledgements
PART I INTRODUCTION
1 Setting the Stage
2 Organ Music
PART II FATED COLLECTIONS
3 Quis custodiet ipsos custodes? Or, What Richard Owen did to John Hunter’s Collection
4 Gender, Fate and McGill University’s Medical Collections: The Case of Curator Maude Abbott
5 Resilient Collections: The Long Life of Leiden’s Earliest Anatomical Collections
6 Inside the Charnel House: The Display of Skeletons in Europe, 1500–1800
PART III PREPARATIONS, MODELS AND USERS
7 Adieu Albinus: How the Preparations in the Nineteenth-Century Leiden Anatomical Collections Lost their Past
8 User-Developers, Model Students and Ambassador Users: The Role of the Public in the Global Distribution of Nineteenth-Century Anatomical Models
9 Mapping Anatomical Collections in Nineteenth-Century Vienna
10 Fall and Rise of the Roca Museum: Owners, Meanings and Audiences of an Anatomical Collection from Barcelona to Antwerp, 1922–2012
PART IV PROVENANCE AND FATE
11 The Fate of the Beaded Babies: Forgotten Early Colonial Anatomy
12 ‘Not Everything that Says Java is from Java’: Provenance and the Fate of Physical Anthropology Collections
13 Cataloguing Collections: The Importance of Paper Records of Strasbourg’s Medical School Pathological Anatomy Collection
PART V MUSEUM AND COLLECTION PRACTICES TODAY
14 Anatomical Craft: A History of Medical Museum Practice
15 Restoration Reconsidered: The Case of Skull Number 1-1-2/27 at the Anatomy Museum of the University of Basel
16 From Bottled Babies to Biobanks: Medical Collections in the Twenty-First Century
17 Ball Pool Anatomy: On the Public Veneration of Anatomical Relics
Appendix: The Leiden Declaration
Index
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