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Index
Cover Page Title Page Copyright Page Dedication Illustrations Acknowledgments Preface Introduction: Performing Beyond Pre-formations and Between Movements: Thirty Years of African-American Performance Part I: Theatrical in(ter)Ventions of the Black Arts Movement
1: Black Theatre 1998: A Thirty-Year Look at Black Arts Theatre (1998) 2: Clara's Ole Man (1968) 3: Home on the Range and Police (1968) 4: The Bronx is Next (1968) 5: The Black Arts Movement (1968) 6: Ritual Reformulations: Barbara Ann Teer and the National Black Theatre of Harlem (1998) 7: To Make Black Bodies Strange: Social Critique in Concert Dance of the Black Arts Movement (1998)
Part II: Free Southern Theater and Community Activism
8: A Road Through the Wilderness (1998) 9: Dialog: The Free Southern Theater (1965) 10: Motion in the Ocean: Some Political Dimensions of the Free Southern Theater (1968) 11: After the Free Southern Theater: A Dialog (1987) 12: John O'Neal, Actor and Activist: The Praxis of Storytelling (1992)
Part III: Moving Beyond the Center
13: Rode a Railroad that had No Track (1998) 14: Theatre in Historically Black Colleges: A Survey of 100 Years (1998) 15: Stepping, Saluting, Cracking, and Freaking: The Cultural Politics of African-American Step Shows (1991) 16: The Gospel Musical and Its Place in the Black American Theatre (1998) 17: Catalysis: An Interview with Adrian Piper (1972)
Part IV: Contemporary Challenges to Representations: African-American Women Playwrights
18: Four Bad Sisters (1998) 19: A Growth of Images (1977) 20: Obsessing in Public: An Interview with Robbie McCauley (1993) 21: Sally's Rape (1994) 22: Anna Deavere Smith: Acting as Incorporation (1993) 23: The Word Becomes You: An Interview with Anna Deavere Smith (1993) 24: Doo-a-diddly-dit-dit: An Interview with Suzan-Lori Parks and Liz Diamond (1995) 25: The America Play (1994)
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