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Index
CONTEMPORARY ONE-ACT PLAYS
PREFACE
CONTEMPORARY ONE-ACT PLAYS
INTRODUCTION THE ONE-ACT PLAY AS A SPECIFIC DRAMATIC TYPE
THE PROPER APPROACH TO THE STUDY OF THE ONE-ACT PLAY
DRAMATIC ANALYSIS AND CONSTRUCTION OF THE ONE-ACT PLAY
I. The Theme of the One-Act Play
II. The Technic of the One-Act Play
THE TWELVE-POUND LOOK BY SIR JAMES M. BARRIE
THE TWELVE-POUND LOOK[A]
TRADITION BY GEORGE MIDDLETON
TRADITION[B]
THE EXCHANGE BY ALTHEA THURSTON
THE EXCHANGE[C]
SCENE I
SCENE II
SAM AVERAGE BY PERCY MACKAYE
SAM AVERAGE[D]
HYACINTH HALVEY BY LADY AUGUSTA GREGORY
HYACINTH HALVEY
THE GAZING GLOBE BY EUGENE PILLOT
THE GAZING GLOBE[F]
THE BOOR BY ANTON TCHEKOV
THE BOOR
THE LAST STRAW BY BOSWORTH CROCKER
THE LAST STRAW[G]
MANIKIN AND MINIKIN (A Bisque-Play) BY ALFRED KREYMBORG
MANIKIN AND MINIKIN (A BISQUE-PLAY)
WHITE DRESSES (A Tragedy of Negro Life) BY PAUL GREENE
WHITE DRESSES
MOONSHINE BY ARTHUR HOPKINS
MOONSHINE
MODESTY BY PAUL HERVIEU
MODESTY
THE DEACON'S HAT BY JEANNETTE MARKS
THE DEACON'S HAT[I]
WHERE BUT IN AMERICA BY OSCAR M. WOLFF
WHERE BUT IN AMERICA[J]
A DOLLAR BY DAVID PINSKI
A DOLLAR
THE DIABOLICAL CIRCLE BY BEULAH BORNSTEAD
THE DIABOLICAL CIRCLE
THE FAR-AWAY PRINCESS BY HERMANN SUDERMANN
THE FAR-AWAY PRINCESS[L]
THE STRONGER BY AUGUST STRINDBERG
THE STRONGER[M]
BIBLIOGRAPHIES
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