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Index
Contents 01 How to Learn Lighting
What Are "The Principles"? Why Are The Principles Important? How Were The Example Subjects Chosen For This Book? Do I Need To Do These Exercises? What Kind Of Camera Do I Need? What Lighting Equipment Do I Need? What Else Do I Need To Know To Use This Book? What Is The "Magic" Part of This Book?
02: Light - The Raw Material of Photography
What Is Light How Photographers Describe Light
Brightness Color Contrast
Light Versus Lighting How The Subject Affects The Lighting
Transmission Direct and Diffuse Transmission Absorption Reflection
03 The Management of Reflection and the Family of Angles
Types Of Reflection Diffuse Reflection
The Inverse Square Law
Direct Reflection
Breaking the Inverse Square Law?
The Family of Angles Glare Reflection
Is It Glare or Ordinary Direct Reflection? Turning Ordinary Direct Reflection into Glare
Applying The Theory
04 Surface Appearances
The Photographer As Editor Capitalizing on Direct Reflection
Angle of Light The Success and Failure of the Rule of Thumb The Distance of Light Doing the Impossible Using Diffuse Reflection and Shadow to Reveal Texture
Competing Surfaces
Try a Lens Polarizing Filter Use a Still Larger Light Use More than One Light Use a Gobo
Complex Surfaces
05 Revealing Shape and Contour
Depth Clues Perspective Distortion
Distortion as a Clue of Depth Do Lenses Affect Distortion?
Tonal Variation The Size of the Light
Large Lights versus Small Lights Distance from Subject
Direction of the Light
Light on Side Light Above the Subject Fill Light Add Depth to the Background
How much Tonal Variation is Ideal?
Photographing Buildings: Deacreasing Tonal Variation Photographing Cylinders: Increasing Tonal Variation
The Glossy Box
Use a Dark Background Eliminate Direct Reflection from the Box Top Eliminate Direct Reflection from the Box Sides Finish with Other Resouces
Use Direct Reflection?
06 Metal 07 The case of the Disapprearing Glass 08 An Arsenal of Light
The Single-Light Setup
The Basic Setup Light Size Skin Texture Where to Put the Main Light Left Side? Right Side? Broad Lighting or Short Lighting Eyeglasses
Additional Lights
Fill Lights Background Lights Hair Lights Kickers Rim Lights
Mood and Key
Low-Key Lighting High-Key Lighting Staying in Key
Dark Skin Available-Light Portraiture
A Window as a Main Light The Sun as Hair Light Keeping the Light Appropriate
Setting Rules?
09 The Extreme 10 Traveling Light Appendix 1 - Let There Be Light Appendix 2 - The Complete Toolbox Index
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