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Index
Contents
01 How to Learn Lighting
What Are "The Principles"?
Why Are The Principles Important?
How Were The Example Subjects Chosen For This Book?
Do I Need To Do These Exercises?
What Kind Of Camera Do I Need?
What Lighting Equipment Do I Need?
What Else Do I Need To Know To Use This Book?
What Is The "Magic" Part of This Book?
02: Light - The Raw Material of Photography
What Is Light
How Photographers Describe Light
Brightness
Color
Contrast
Light Versus Lighting
How The Subject Affects The Lighting
Transmission
Direct and Diffuse Transmission
Absorption
Reflection
03 The Management of Reflection and the Family of Angles
Types Of Reflection
Diffuse Reflection
The Inverse Square Law
Direct Reflection
Breaking the Inverse Square Law?
The Family of Angles
Glare Reflection
Is It Glare or Ordinary Direct Reflection?
Turning Ordinary Direct Reflection into Glare
Applying The Theory
04 Surface Appearances
The Photographer As Editor
Capitalizing on Direct Reflection
Angle of Light
The Success and Failure of the Rule of Thumb
The Distance of Light
Doing the Impossible
Using Diffuse Reflection and Shadow to Reveal Texture
Competing Surfaces
Try a Lens Polarizing Filter
Use a Still Larger Light
Use More than One Light
Use a Gobo
Complex Surfaces
05 Revealing Shape and Contour
Depth Clues
Perspective Distortion
Distortion as a Clue of Depth
Do Lenses Affect Distortion?
Tonal Variation
The Size of the Light
Large Lights versus Small Lights
Distance from Subject
Direction of the Light
Light on Side
Light Above the Subject
Fill Light
Add Depth to the Background
How much Tonal Variation is Ideal?
Photographing Buildings: Deacreasing Tonal Variation
Photographing Cylinders: Increasing Tonal Variation
The Glossy Box
Use a Dark Background
Eliminate Direct Reflection from the Box Top
Eliminate Direct Reflection from the Box Sides
Finish with Other Resouces
Use Direct Reflection?
06 Metal
07 The case of the Disapprearing Glass
08 An Arsenal of Light
The Single-Light Setup
The Basic Setup
Light Size
Skin Texture
Where to Put the Main Light
Left Side? Right Side?
Broad Lighting or Short Lighting
Eyeglasses
Additional Lights
Fill Lights
Background Lights
Hair Lights
Kickers
Rim Lights
Mood and Key
Low-Key Lighting
High-Key Lighting
Staying in Key
Dark Skin
Available-Light Portraiture
A Window as a Main Light
The Sun as Hair Light
Keeping the Light Appropriate
Setting Rules?
09 The Extreme
10 Traveling Light
Appendix 1 - Let There Be Light
Appendix 2 - The Complete Toolbox
Index
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