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Index
Cover
Frontmatter
1. Where I’m Calling From: An American–Australian Cinema?
1. Across the Pacific: Looking to America
2. Rudimentary Modernism: Ken G. Hall, Rear-Projection and 1930s Hollywood
3. Simulated Scenery: Travel Cinema, Special Effects and For the Term of His Natural Life
4. Representations and Hybridizations in First Nation Cinema: Change and Newness by Fusion
5. Of Mothers and Madwomen: Mining the Emotional Terrain of Toni Collette’s Anti-Star Persona
2. The View From There: Australian Films in the US
6. Accented Relations: Mad Max on US Screens
7. Talking Trash with Tarantino: Auteurism, Aesthetics and Authority in Not Quite Hollywood
8. Australian Horror Movies and the American Market
9. The Terrible Terrace: Australian Gothic Reimagined and the (Inner) Suburban Horror of The Babadook
3. Here and There: Crossing Between Australian, US and International Cinemas
10. American Cartel: Block Bookings and the Paramount Plan
11. The Multiplex Era
12. “Zest to the jaded movie palate”: Wallace Worsley, Scott R. Dunlap and The Romance of Runnibede
13. Defining Neverland: P. J. Hogan, J. M. Barrie and Peter Pan in Post-Mabo Australia
14. Baz Luhrmann’s The Great Gatsby: Telling a National Iconic Story Through a Transnational Lens
Backmatter
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