Benjamin’s Library by NEWMAN, JANE O. -- Read -- Imperial Library of Trantor

Index

Cover Page Title Page For Jordan, who grew up CONTENTS Preface Acknowledgments Textual Note Introduction: Benjamin’s Baroque: A Lost Object? 1. Inventing the Baroque: A Critical History of Nineteenth- and Early Twentieth-Century Debates The Renaissance of the German Baroque in the “Epistemo-Critical Prologue” Locating Baroque Style Origin and the “Heroic” Age of the German Literary Baroque 2. The Plays Are the Thing: Textual Politics and the German Drama The Origin of the Silesian School: Nationalism and the Baroque Tragic Drama Collecting the Baroque: Editing the German Dramatic Tradition The Task of the Translator: Shakespeare as German Tragic Drama 3. Melancholy Germans: War Theology, Allegory, and the Lutheran Baroque Benjamin’s Hamlet in the Crosshairs of War Theology Reforming the Baroque: Benjamin on Warburg on Luther Allegory, Emblems, and Gryphius’s Catharina von Georgien Conclusion: Baroque Legacies: National Socialism’s Benjamin Bibliography

Series editor: Peter Uwe Hohendahl, Cornell University Press and Cornell

Chief Librarian: Las Zenow <zenow@riseup.net>
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