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Index
Cover
Title
Copyright
Contents
Preface and acknowledgements
Introduction: Renewing the theoretical canon
The roots of literary theory
Literature, aesthetics and ideology
The romantic heritage
The truth of literature
1. Philosophical origins: Kant, Jacobi, and the crisis of reason
New frameworks
Kant and the critique of the ‘ready-made world’
Jacobi: ‘being’ and the critique of metaphysics
‘Pure reason listens only to itself’: from metaphysics to literary theory
2. Shifting the ground: ‘Where philosophy ceases literature must begin’
‘The philology of philosophy’ (Friedrich Schlegel)
Judgement, schema and language
‘To begin with one only spoke in poetry’
3. The philosophy of critique and the critique of philosophy: Romantic literary theory
‘The ridiculous mistake, that people think they speak for the sake of things’
‘All highest truths of every kind are thoroughly trivial’
‘Transcendental literature’
The aesthetic and the hermeneutic imperatives
4. Interpretative reasons
The ‘anarchy of convictions’
Spirit and letter
Knowing what we mean: the semantic and hermeneutic alternatives
5. The ethics of interpretation: Schleiermacher
Beginning in the middle
Playing by the rules
‘Thought’ and ‘feeling’
‘There is no such thing as a language’/‘there is no such thing as literature’
6. Being true: Dilthey, Husserl and Heidegger (1)
Heideggerian questions
Understanding and explaining
Understanding being
7. The truth of art: Heidegger (2)
The turn to art
Putting the truth into the work
The subject of art
8. Understanding Walter Benjamin
Language and origins
‘The concept of art-critique in German Romanticism’
Salvaging the truth
Redemption or illusion?
9. The culture of truth: Adorno
Adorno and Benjamin: paradigms of modern aesthetics
‘Dreamlike anticipation’: Adorno’s earliest philosophy
The ‘dissolution of what has up to now been called philosophy’
Words put in question
Art, schematism and philosophy
Literature, truth and the critique of ‘identity’
Conclusion
Notes
Bibliography
Index
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