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Index
COVER
TITLE PAGE
COPYRIGHT
DEDICATION
CONTENTS
YOUNG MARCEAU
MANGEL
PEDAGOGY
BIP IS BORN
SCENE 1: BIP, THE SOLDIER
GENEALOGY
SCENE 2: BIP, GREAT STAR OF THE TRAVELING CIRCUS
M. ON SPEECH
M. ON MARCEAU
SCENE 3: BIP AT A SOCIETY PARTY
COLLECTIONS: WORK-RELATED READING
M. ON AMERICA, 1955
SCENE 4: BIP PLAYS DAVID AND GOLIATH
M. ON THE CONNECTIVE TISSUES
M. ON HIS OWN
SCENE 5: BIP ATTEMPTS SUICIDE
M. ON BOUNDARIES AND BORDERLINES
SCENE 6: BIP, THE BULLFIGHTER
M. ON MAN’S MODERN PROBLEMS
M. ON CHAPLIN
SCENE 7: BIP AS SKATER AND SPECTATOR
M. ON CHAPLIN II
COLLECTIONS: READING FOR A WELL-ROUNDED EDUCATION
SCENE 8
SCENE 9
SCENE 10
M. INTERACTS WITH THE PRESS
M. ON MASTERING ONE’S FEELINGS
COLLECTIONS: ITEMS FROM JAPAN
COLLECTIONS: KNIVES
COLLECTIONS: MISCELLANEOUS
COLLECTIONS: ICONS
PIERRE VERRY
M. ON FAILURE
M. ON TECHNOLOGY
BIP AS SLEEK CREATURE OF THE DEEP
SCENE 11
COLLECTIONS: MASKS
COLLECTIONS: ZOOMORPH
M. ON VIDEO
SCENE 12
CAMILLE ON MARCEAU
COLLECTIONS: ANCIENT DOLLS
COLLECTIONS: PAINTINGS
M. VERSUS M.
COLLECTIONS: JAPANESE DOLLS
SCENE 13
AN INTERVIEW
SCENE 14
A TWENTY MINUTE SILENCE FOLLOWED BY APPLAUSE
OTHER WORKS
CLIVE BARNES ON MATERIALISM
SCENE 15
M. WRITES ABOUT M.
BIP THE STOIC
SCENE 16
COLLECTIONS: CLOCKS
M. ON MOST MIMES
COLLECTIONS: PERFORMING DOLLS
COLLECTIONS: SACRED DOLLS
M. ON THE KING OF POP
M. ON THERIESENSTADT
FROM MARCEL AND ME: A MEMOIR OF LOVE, LUST, AND ILLUSION
COLLECTIONS: THE FURNITURE
COLLECTIONS: THE BOXES
CRITICS ON AGING
SCENE 17: BIP HUNTING BUTTERFLIES
BIP GETS LEFT BEHIND
M. ON AGING
PÈRE LACHAISE CEMETERY
COLLECTIONS: PLEASURE READING
COLLECTIONS: SILVERWARE
COLLECTIONS: ROMAN TABLEWARE FROM THE SECOND CENTURY
AFTER M.
M. ON TRUTH
SCENE 18
SOURCES
ACKNOWLEDGMENTS
ABOUT THE AUTHOR
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