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Index
Title Page
Introduction
Constructing Worlds
Burton’s Bowl: Constructions of Space in the Films of Tim Burton
The Abject, Carnivalesque, and Uncanny
The Dark and the Darker: The Meaning and Significance of Dark and Light Colors in Tim Burton Films
Traces of Surrealism in the Work of Tim Burton
Tim Burton’s Artists of Death
The Interconnectivity of Elfman’s Film Scoring and Burton’s Narrative
Fairy Worlds and Nightmares
Nightmares and the Struggle for Existence in Alice in Wonderland and Planet of the Apes
Reading Burton’s The Nightmare Before Christmas with Paul Tillich
Deconstructing (and Reconstructing) the Fairy Tale in Tim Burton’s The Nightmare Before Christmas and Corpse Bride
Mars Attacks! as Fractured Fairy Tale under Tolkien’s Principles of Recovery, Escape, and Consolation
The Heroic Journey of Ed Wood
The Paranormal Hero as a Boundary-Crosser
Miss Peregrine’s : New Home for a Peculiar Problem
Identity and the World
A Colonial Tapestry: Race and Ideology in Pee-wee’s Big Adventure
Willy Wonka as a Contemporary Dandy
Batman, Burton, and the Puzzle of Identity
Fools on the Hill: Tim Burton’s Nietzschean Outcasts and Heidegger’s das Man
“My Whole Life Is a Dark Room”: Nostalgia and Domesticity in Beetlejuice and Edward Scissorhands
Tim Burton and the Determinist Impulse
Doll Doubles: Female Identity in Tim Burton’s Stop-Motion Films
Index
About the Contributors
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