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Index
Title Page AUTHOR’S PREFACE TO THE AMERICAN EDITION TRANSLATOR’S PREFACE AUTHOR’S PREFACE Table of Contents INTRODUCTION - THE ESSENTIAL FACTORS OF OCCIDENTAL MUSIC AND THE CONDITIONS OF THEIR COMPREHENSION PART I - Prolegomena to Contemporary Music
CHAPTER I - Modal Music CHAPTER II - Tonal Music
PART II
CHAPTER III - Phases of the Schoenbergian Reactivation of Polyphonic Evolution CHAPTER IV - The Suspension of the Tonal System CHAPTER V - The Definite Organization of the New World of Sound CHAPTER VI - Schoenberg’s “American” Works
PART III
CHAPTER VII - The Work of Alban Berg CHAPTER VIII - Alban Berg and the Essence of Opera
PART IV
CHAPTER IX - Webern’s Participation in the Schoenbergian Acquisitions CHAPTER X - The Projection of the Schoenbergian Acquisitions into the Future CHAPTER XI - The Last Works of Webern; the Culmination of Contemporary Polyphony
PART V - The Structure of Contemporary Musical Speech
CHAPTER XII - General Foundations of the Musical Language CHAPTER XIII - The Living Language of Music
Conclusion BIBLIOGRAPHY Copyright Page Notes
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