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Index
Cover
Half Title
Series Information
Title Page
Copyright Page
Table of Contents
List of Figures
Acknowledgements
1 Thinking through Fashion
Part I: Theorizing Fashion
Strands and Developments in Theory
The Linguistic Turn
The Politics of Post-structuralism
Old and New Materialisms
Part II: The Key Theorists: Summaries
Chapter 2: Karl Marx (1818–1883)
Chapter 3: Sigmund Freud (1856–1939)
Chapter 4: Georg Simmel (1858–1918)
Chapter 5: Walter Benjamin (1892–1940)
Chapter 6: Mikhail Bakhtin (1895–1975)
Chapter 7: Maurice Merleau-Ponty (1908–1961)
Chapter 8: Roland Barthes (1915–1980)
Chapter 9: Erving Goffman (1922–1982)
Chapter 10: Gilles Deleuze (1925–1995)
Chapter 11: Michel Foucault (1926–1984)
Chapter 12: Niklas Luhmann (1927–1998)
Chapter 13: Jean Baudrillard (1929–2007)
Chapter 14: Pierre Bourdieu (1930–2002)
Chapter 15: Jacques Derrida (1930–2004)
Chapter 16: Bruno Latour (1947–)
Chapter 17: Judith Butler (1956–)
Notes
References
2 Karl Marx
Introduction
A Glimpse of Marx’s Life and a Lesson in the Symbolic Power of Dress
Hegel, Feuerbach and Marx: The Road to Historical Materialism
Capitalism, from Dress to Fashion
Producing and Consuming ‘Fashion for All’?
Labour, ‘Species Being’ and the Duality of Adornment
Surplus Value, Sweating and Competition
Commodity Fetishism and Fashion
Conclusion: Marx Fashioning the Future
Acknowledgements
References
3 Sigmund Freud
Introduction
Freud and Sexuality: Past and Present
The Unconscious
Freud on Fashion
Castration Theory
Fashion and Fetishism
The Gaze
Gender and the Masquerade
Psychoanalysis and Fashion
The Limitations of Psychoanalysis
Conclusion
References
4 Georg Simmel
Introduction
Simmel’s Sociology
Simmel’s Aestheticized Existence
Simmel and Later Sociology
What Did Simmel Argue About Fashion?
Trickling down
Conclusion: The After-life of Simmel
Notes
References
5 Walter Benjamin
Introduction
Charles Baudelaire’s Influence on Walter Benjamin’s Writing
History, Memory, Time
Proustian Memory and the Fold
The Phantasmagoric Machine of Capital
Production, Reproduction and Representation
Conclusion
Postscript
References
6 Mikhail Bakhtin
Introduction
Positioning Bakhtin
Bakhtin and Fashion Studies
Bakhtin, Fashion and the Body-out-of-bound
Fashion, Carnival and Inversions
Conclusion: Further Suggestions
Notes
References
7 Maurice Merleau-Ponty
Introduction
Merleau-Ponty’s Theory of Embodied Existence
Merleau-Ponty and the New Materialism
Towards a Theory of Fashion as Embodied Practice
Phenomenological Approaches in Recent Fashion Design
Conclusion
References
8 Roland Barthes
Introduction
The Fashion System and Semiology
Fashion, Advertising and Myth
Fashion as a Text of Bliss
Conclusion
Notes
References
9 Erving Goffman
Introduction
Goffman’s Interaction Order
The Dramaturgical Model of Performance
The Wardrobe Approach
Authentic or Deceptive?
The Uncanny Method
Conclusion
References
10 Gilles Deleuze
Introduction
Becoming
Multiple Becomings
How Does a Body-without-Organs Dress?
Folds of Fashion
Viktor & Rolf: Spiralling Up with Bows and Ribbons
Conclusion
Acknowledgements
Notes
References
11 Michel Foucault
Introduction
Foucault’s Conceptual Framework
Using Foucault’s Method to Study Fashion
Conclusion
Notes
References
12 Niklas Luhmann
Introduction
All Things Social
Luhmann in Context
Three Phases
Draw a Distinction
Functional Differentiation and Autopoiesis
Paradox
The Paradoxes of Fashion
Is Fashion a Functional Subsystem of Modern Society?
Conclusion: Niklas Luhmann in Fashion Studies
References
13 Jean Baudrillard
Introduction
From Signification to Simulation
The Three Stages of Sartorial Representation
Pre-modern Stage
Modern Stage
Post-modern Stage
From Communication to Seduction
Baudrillard and Fashion Theory
Fashion and the End of Signification
Conclusion
References
14 Pierre Bourdieu
Introduction
Field Theory
The Field of Fashion
Distinction
Bloggers and the Field of the Fashion Media
Conclusion
Notes
References
15 Jacques Derrida
Introduction
De(con)struction in Philosophy
Unsettling the Text: The Interweaving of Meaning and the Fashion Trace
Deconstruction in Fashion: Fashion under Erasure
Maison Margiela: An Analytics of Construction
Authorship
Innovation
Time and Fashion History
Conclusion
References
16 Bruno Latour
Introduction
Latour: Science and Technology Studies and Beyond
Applying STS/ANT
Thinking through Fashion: Extending Latour
Implications for Future Fashion Research
Conclusion
Notes
References
17 Judith Butler
Introduction
Performavity: Gender Performance or Prescription?
Performativity and Drag
Butler’s Implications for Fashion Studies
Revealing the Natural Body as Already Clothed: De Beauvoir, Butler and Big Bottoms
Butler’s Theory in Action
Conclusion
Notes
References
Contributors
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