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Index
Cover
Title Page
Copyright
Dedication
Contents
List of Illustrations
Acknowledgments
Introduction
The Fuller Biographical Legend
Fuller as Storyteller
Movement and Conflict
Chapter One: The Lippert Years, 1948–1951
The Marketplace for Low-Budget Films
Early Experiments: I Shot Jesse James and The Baron of Arizona
Establishing a Voice: The Steel Helmet
Chapter Two: The Fox Years, 1951–1956
The Trade-offs of Studio Filmmaking
Return to War: Fixed Bayonets
Complete Independence: Park Row
Brutality: Pickup on South Street
Classical Style: Hell and High Water and House of Bamboo
Chapter Three: The Globe Years, 1956–1961
The Challenges of Independence
No Holds Barred: Run of the Arrow, China Gate, Forty Guns, and Verboten!
Sensational Style: The Crimson Kimono and Underworld, U.S.A.
Chapter Four: The Freelance Years, 1961–1964
Return to War: Merrill’s Marauders
Adult Exploitation: Shock Corridor and The Naked Kiss
Fuller Goes to Vietnam: The Rifle
Chapter Five: The Final Battles, 1965–1997
Critical Recognition, Professional Frustration
Loose Ends: Shark! and Dead Pigeon on Beethoven Street
A Personal Journey: The Big Red One
Inciting Controversy: White Dog
In Exile: Thieves After Dark and Street of No Return
Conclusion
Notes
Filmography
Bibliography
Index
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