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Index
Acknowledgments /
INTRODUCTION /
PREAMBLE : MEDIATING GENRES /
Imaginative Genres / 28
Financial Writing / 30
Monetary Genres / 35
ONE : MEDIATING VALUE /
Writing about Money in the New Credit Economy / 61
The Fact/Fiction Continuum / 77
TWO : GENERIC DIFFERENTIATION AND THE NATURALIZATION OF MONEY /
Inciting Belief through Print / 93
Sir James Steuart's Principles of Political Economy: Between Fiction and Theory / 124
Money Talks: Thomas Bridges's Adventures of a Bank-Note / 144
INTERCHAPTER ONE : "THE PAPER AGE" /
The Takeoff in the Book Trade / 156
The Proliferation of Bank Paper / 161
Differential Forms / 165
THREE : POLITICIZING PAPER MONEY /
The First Currency Radical: William Cobbett Pits Paper against Gold / 174
Labor Notes and a Coinage of Pottery: Robert Owen and John Bray / 196
FOUR : PROFESSIONAL POLITICAL ECONOMY AND ITS POPULARIZERS /
Raising the Profile of Economic Theory: Ricardo, McCulloch, Chalmers, and John Stuart Mill / 223
Financial Journalism: Economic Writing for Middle-Class Readers / 243
W. Stanley Jevons and the Narrowing of Economic Science / 275
FIVE : DELIMITING LITERATURE, DEFINING LITERARY VALUE /
Literary Value and a Hierarchy of Imaginative Genres / 287
Hierarchies of Reading / 305
Facts, Fictions, and Literary Value / 317
INTERCHAPTER TWO : TEXTUAL INTERPRETATION AND HISTORICAL DESCRIPTION /
Reading Martineau's Illustrations of Political Economy: Exemplary Interpretations / 338
Historical Description / 343
SIX : LITERARY APPROPRIATIONS /
Jane Austen 's Gestural Aesthetic /
From Gesture to Formalism: Little Dorrit and Silas Marner /
The Rewards of Form: The Last Chronicle of Barset /
CODA /
Notes /
Bibliography /
Index /
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