Log In
Or create an account -> 
Imperial Library
  • Home
  • About
  • News
  • Upload
  • Forum
  • Help
  • Login/SignUp

Index
Cover About the Book Contents Title Page Table of Figures Preface Semantics Part I General Considerations
Chapter One Introduction
A What Do You Say After You Say Hello? B How Do You Say Hello? C An Illustration D The Handshake E Friends F The Theory References
Chapter Two Principles of Transactional Analysis
A Structural Analysis B Transactional Analysis C Time Structuring D Scripts Notes & References
Part II Parental Programing
Chapter Three Human Destiny
A Life Plans Magda Della Mary B On Stage and Off Stage C Myths and Fairy Tales The Story of Europa Little Red Riding Hood A Martian Reaction A Little Red Riding Hood Script D Waiting for Rigor Mortis The Waiting for Rigor Mortis Script The Story of Sleeping Beauty E The Family Drama F Human Destiny G Historical Notes & References
Chapter Four Prenatal Influences
A Introductory B Ancestral Influences C The Conceptive Scene D Birth Position E Birth Scripts F Forenames and Surnames Notes & References
Chapter Five Early Developments
A Early Influences B Convictions and Decisions C Positions – The Pronouns D Winners and Losers E Three-handed Positions F Positions – The Predicates G Selection of the Script References
Chapter Six The Plastic Years
A Parental Programing B Thinking Martian Butch C The Little Lawyer D The Script Apparatus Notes & References
Chapter Seven The Script Apparatus
A The Script Payoff B The Injunction C The Come-on D The Electrode E Bags and Things F The Prescription G Parental Patterns H The Demon I   Permission J   The Internal Release Chuck K The Script Equipment Clementine L Aspirations and Conversations M Winners N Does Everyone Have a Script? O The Antiscript P Summary Notes & References
Chapter Eight Later Childhood
A Plots and Heroes B Rackets C Trading Stamps D Illusions E Games F The Persona G The Family Culture Notes & References
Chapter Nine Adolescence
A Pastimes B New Heroes C The Totem D New Feelings E Physical Reactions F The Front Room and the Back Room G Script and Antiscript H The World Image I   Sweatshirts You Can’t Trust Anybody Doesn’t Everybody? References
Chapter Ten Maturity and Death
A Maturity B The Mortgage C Addictions D The Drama Triangle E Life Expectancy F Old Age G The Death Scene H The Gallows Laugh I   The Posthumous Scene J   The Tombstone K The Testament Notes & References
Part III The Script in Action
Chapter Eleven Types of Scripts
A Winners, Nonwinners, and Losers B Script Time C Sex and Scripts D Clock Time and Goal Time References
Chapter Twelve Some Typical Scripts
A Little Pink Riding Hood, or The Waif B Sisyphus, or There I Go Again C Little Miss Muffet, or You Can’t Scare Me D Old Soldiers Never Die, or Who Needs Me? E The Dragon-Slayer, or Daddy Knows Best F Sigmund, or If You Can’t Do It One Way, Try Another G Florence, or See It Through H Tragic Scripts Notes & References
Chapter Thirteen Cinderella
A Cinderella’s Background B The Story of Cinderella C Interlocking Scripts D Cinderella in Real Life E After the Ball Is Over F Fairy Tales and Real People Notes & References
Chapter Fourteen How Is the Script Possible?
A The Plastic Face B The Moving Self C Fascination and Imprinting D The Odorless Smell E The Reach-back and the After-burn F The Little Fascist G The Brave Schizophrenic H The Ventriloquist’s Dummy I   More About the Demon J   The Real Person Notes & References
Chapter Fifteen Transmission of the Script
A The Script Matrix B The Family Parade C Cultural Transmission D The Influence of the Grandparents E Overscripting F Blending of the Script Directives G Summary H Responsibility of the Parents Notes & References
Part IV The Script in Clinical Practice
Chapter Sixteen The Preliminary Phases
A Introductory B The Choice of Therapist C The Therapist as a Magician D The Preparation E The ‘Professional Patient’ F The Patient as a Person Notes & References
Chapter Seventeen The Script Signs
A The Script Signal B The Physiological Component C How to Listen D Basic Vocal Signals 1 Breathing Sounds 2 Accents 3 Voices 4 Vocabulary E Choice of Words 1 Parts of Speech 2 OK Words 3 Script Words 4 Metaphors 5 Security Phrases 6 The Subjunctive 7 Sentence Structure F The Gallows Transaction G Types of Laughter 1 Scripty Laughs 2 Healthy Laughs H Grandmother I   Types of Protest J   The Story of Your Life K The Script Switches Notes & References
Chapter Eighteen The Script in Treatment
A The Role of the Therapist B Game Dosage C Motives for Therapy D The Therapist’s Script E Predicting the Outcome F The Script Antithesis Amber G The Cure References
Chapter Nineteen The Decisive Intervention
A Final Common Pathways B Voices in the Head C The Dynamics of Permission D Curing Patients vs Making Progress Notes & References
Chapter Twenty Three Case Histories
A Clooney B Victor C Jan and Bill
Part V Scientific Approaches to Script Theory
Chapter Twenty-One Objections to the Theory of Script
A Spiritual Objections B Philosophical Objections C Rational Objections D Doctrinal Objections E Empirical Objections F Developmental Objections G Clinical Objections Notes & References
Chapter Twenty-Two Methodological Problems
A Map and Territory B The Conceptual Grid C Soft Data and Hard Data References
Chapter Twenty-Three The Script Check List
A Definition of a Script B How to Verify a Script C Introduction to the Script Check List D A Script Check List E A Condensed Check List F A Therapy Check List References
Appendix What Do You Say After You Say Hello? Glossary Index About the Author Copyright
  • ← Prev
  • Back
  • Next →
  • ← Prev
  • Back
  • Next →

Chief Librarian: Las Zenow <zenow@riseup.net>
Fork the source code from gitlab.

This is a mirror of the Tor onion service:
http://kx5thpx2olielkihfyo4jgjqfb7zx7wxr3sd4xzt26ochei4m6f7tayd.onion