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Index
Cover
Series Page
Title Page
Copyright
Dedication
Contents
Preface and Acknowledgments
1. Poetics and Politics
Cinema, Art, and Politics
The Idea of Aesthetics
Utopia Cinema
Cinema and Politics: A Historical Figuration
Cinema and Community
Poetic Experiments
The Politics of Aesthetics
The Politics of Cinematographic Realism
2. Before The War: The Avant-Garde, Film, and the Utopia of Art
Eisenstein’s Theory of the Moving Image
A New Iconicity: New Objectivity and Film
3. After The War: Cinema as the Site of Historical Consciousness
Kracauer: The Viewability of the Social
Visconti: The Sensibility of Another Time
4. After ’68: The Politics of Form
Fassbinder: Germany in Autumn
Brecht: The Social Gesture
Making Social Relations Visible: Katzelmacher
The Life of the Community: Beware of a Holy Whore
5. Beyond Classical Hollywood Cinema
Shock Values
Dirty Pictures, Brilliant Entertainment
The Foundation of Aesthetic Pleasure: A Clockwork Orange
Hollywood and Evil: The Exorcist
6. A New Sensitivity
Almodóvar: Leaving Bernada Alba’s House
The Melodramatic Primal Scene: La flor de mi secreto
Everything, Really Everything … : Todo sobre mi madre
Notes
Bibliography
Index
Series List
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