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Index
Cover
Title
Copyright
Contents
List of Illustrations
Introduction: Talking Back, Moving Forward
Section One: Theoretical Conversations
Introduction to Section One
Dimensions of Difference in Indigenous Film
Reading Nanook’s Smile: Visual Sovereignty, Indigenous Revisions of Ethnography, and Atanarjuat: The Fast Runner
Dismantling the Master’s House: The Feminist Fourth Cinema Documentaries of Alanis Obomsawin and Loretta Todd
Indigenous (Re)memory and Resistance: Video Works by Dana Claxton
Section Two: Pedagogical Conversations
Introduction to Section Two
Native Resistance to Hollywood’s Persistence of Vision: Teaching Films about Contemporary American Indians
Geographies of Identity and Belonging in Sherman Alexie’s The Business of Fancydancing
Teaching Native American Filmmakers: Osawa, Eyre, and Redroad
“The Native’s Point of View” as Seen through the Native’s (and Non-Native’s) Points of View
The Dirt Roads of Consciousness: Teaching and Producing Videos with an Indigenous Purpose
Section Three: Conversations with Filmmakers
Introduction to Section Three
“Pockets Full of Stories”: An Interview with Sterlin Harjo and Blackhorse Lowe
Wrestling the Greased Pig: An Interview with Randy Redroad
An Upstream Journey: An Interview with Sandra Osawa
Video as Community Ally and Dakota Sense of Place: An Interview with Mona Smith
The Journey’s Discovery: An Interview with Shelley Niro
Acknowledgments
Selected Filmography
List of Contributors
Index
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