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Index
Front Cover
Book Synopsis
Author Biography
Endorsements
Half Title
Title Page
Copyright
Contents
Acknowledgments
Introduction
1 Framing Taiwan Cinema: Perspectives on History in Hou Hsiao-hsien's 'Three Times'
2 Two Stage Brothers: Tracing a Common Heritage in Xie Jin and Li Xing's Early 1960s Films
3 Projecting a State That Does Not Exist: The Politics of Migration in Bai Jingrui's 1970 Film 'Home Sweet Home'
4 Gender Negotiation in Song Cunshou's 'Story of Mother' and Taiwan Cinema of the Early 1970s
Conclusion: Transnationalism and the Structure of Feeling of Taiwan Cinema in the Late 1970s
Notes
Bibliography
Index
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