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Index
Cover
Halftitle Page
Title Page
Contents
List of Figures
List of Contributors
Acknowledgements
Introduction
Part 1: Theory, Philosophy and Concepts
1. Approaching Animation and Animation Studies
2. The Cinema of Attractions: Early Film, Its Spectators and the Avant-Garde
3. Re-Animating Space
4. Realism and Animation
5. The Uncanny Valley
6. Animation and Performance
7. Animation and Memory
8. Some Thoughts on Theory–Practice Relationships in Animation Studies
Part 2: Forms and Genres
9. Absence, Excess and Epistemological Expansion: Towards a Framework for the Study of Animated Documentary
10. Experimental Animation
11. Features and Shorts
12. Advertising and Public Service Films
13. Political Animation and Propaganda
14. TV Animation and Genre
15. Animation and/as Children’s Entertainment
16. Video Games and Animation
Part 3: Representation: Frames and Contexts
17. Race, Resistance and Violence in Cartoons
18. We’re Asian. More Expected of Us: The Model Minority and Whiteness in King of the Hill
19. Transformers: Rescue Bots: Representation in Disguise
20. Anime’s Bodies
21. Women in Disney’s Animated Features 1989–2005
22. Taking an Appropriate Line: Exploring Representations of Disability within British Mainstream Animation
Index
Imprint
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