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Index
Cover
Title Page
Dedication
Contents
Introduction
Part I: 1800–1830: The Pre-Conditions
1: Sources of Cultural Expansion
2: Triumphant Languages
3: Publishing
4: Peddling Stories
5: Foundation Stories
6: Fairy Tales
7: Novels
8: Trailblazers
9: Walter Scott ‘in Unclouded Splendour’
10: Cultural Hegemony
11: This is Not a Fiction
12: News and Pictures
13: The Music Market
14: Audiences and Performers
15: Opera
16: Theatre
Part II: 1830–1880: The Triumph of Bourgeois Culture
17: Books for the People
18: Newspapers, Magazines and Pictures
19: Money Matters
20: Reading by Instalments
21: Repressing Culture
22: Beloved Writers
23: Great Genres
24: Women and Novels
25: Challenging the Trailblazers
26: Improving Oneself
27: Music, Composers and Virtuosi
28: The Triumph of the Opera
29: Theatricals
Part III: 1880–1920: The Revolution
30: The Revolution in Communications
31: Workers, Jews, Women
32: The Internationalisation of the Novel
33: Zola: Money, Fame and Conscience
34: Stories of Crime and Science Fiction
35: Popular Novels, for Young and Old
36: The Popular Press
37: Shows
38: Music
39: Recorded Sound
40: The Moving Image
41: Cinema: Europeans and Americans
42: Cultural Panics
Part IV: 1920–1960: The Interventionist State
43: States and Markets
44: Culture and Communism
45: Fascism
46: Mass Culture: The American Challenge
47: Interwar Cinema
48: The Cinema after World War II
49: More Books
50: Popular Genres: Crimes and the Future
51: The Press
52: Comic Strips
53: Live Spectacles
54: The Triumph of the Song
55: Radio
Part V: After 1960: The Era of the Mass Media
56: Television: The Universal Medium
57: The Flow of Genres on Television
58: The Break-up of Television
59: Going Out: Cinema and Theatre
60: Culture in the ‘Other’ Europe: Communism
61: A World of Readers
62: Exploding Pop
Conclusion: The World Wide Web
Bibliography of Works Cited
Index
Acknowledgements
About the Author
Notes
By the Same Author
Copyright
About the Publisher
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