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Index
ON ENGLISH POETRY NOTE CONTENTS I DEFINITIONS II THE NINE MUSES III POETRY AND PRIMITIVE MAGIC IV CONFLICT OF EMOTIONS V THE PATTERN UNDERNEATH VI “INSPIRATION” VII THE PARABLE OF MR. POETA AND MR. LECTOR VIII THE CARPENTER’S SON IX THE GADDING VINE X THE DEAD END AND THE MAN OF ONE POEM XI SPENSER’S CUFFS XII CONNECTION OF POETRY AND HUMOUR XIII DICTION XIV THE DAFFODILS XV VERS LIBRE XVI MOVING MOUNTAINS XVII LA BELLE DAME SANS MERCI XVIII THE GENERAL ELLIOTT XIX THE GOD CALLED POETRY XX LOGICALIZATION XXI LIMITATIONS XXII THE NAUGHTY BOY XXIII THE CLASSIC AND ROMANTIC IDEAS XXIV COLOUR XXV PUTTY XXVI READING ALOUD XXVII L’ARTE DELLA PITTURA XXVIII ON WRITING MUSICALLY XXIX THE USE OF POETRY XXX HISTORIES OF POETRY XXXI THE BOWL MARKED DOG XXXII THE ANALYTIC SPIRIT XXXIII RHYMES AND ALLITERATION XXXIV AN AWKWARD FELLOW CALLED ARIPHRADES XXXV IMPROVISING NEW CONVENTIONS XXXVI WHEN IN DOUBT XXXVII THE EDITOR WITH THE MUCKRAKE XXXVIII THE MORAL QUESTION XXXIX THE POET AS OUTSIDER XL A POLITE ACKNOWLEDGMENT XLI FAKE POETRY, BAD POETRY AND MERE VERSE XLII A DIALOGUE ON FAKE-POETRY XLIII ASKING ADVICE XLIV SURFACE FAULTS, AN ILLUSTRATION XLV LINKED SWEETNESS LONG DRAWN OUT XLVI THE FABLE OF THE IDEAL GADGET XLVII SEQUELS ARE BARRED XLVIII TOM FOOL XLIX CROSS RHYTHM AND RESOLUTION L MY NAME IS LEGION, FOR WE ARE MANY LI THE PIG BABY LII APOLOGY FOR DEFINITIONS LIII TIMES AND SEASONS LIV TWO HERESIES LV THE ART OF EXPRESSION LVI GHOSTS IN THE SHELDONIAN LVII THE LAYING ON OF HANDS LVIII WAYS AND MEANS LIX POETRY AS LABOUR LX THE NECESSITY OF ARROGANCE LXI IN PROCESSION APPENDIX:—THE DANGERS OF DEFINITION
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