Angela Carter · New Critical Readings by Andermahr, Sonya -- Read -- Imperial Library of Trantor

Index

Cover-Page Half-Title Series Title Copyright Contents Notes on Contributors 1 Introduction

New Critical Readings Genre and the Canon Philosophies Mythologies Works Cited

Part One Genre and the Canon

2 Contemporary Women’s Writing: Carter’s Literary Legacy

Notes Works Cited

Works Cited

4 Between the Paws of the Tender Wolf: Authorship, Adaptation and Audience

Notes Works Cited

Hyperbolic Psychoanalysis: ‘The Cabinet of Edgar Allan Poe’ Soggy Fairies: ‘Overture and Incidental Music for A Midsummer Night’s Dream’ From the Margins of the Canon: ‘John Ford’s ’Tis Pity She’s a Whore’ Conclusion Notes Works Cited

6 The Moral Right of Food: Angela Carter’s ‘Food Fetishes’

Notes Works Cited

7 The Alchemy of Reading in Angela Carter’s ‘Alice in Prague or The Curious Room’

Notes Works Cited

8 ‘Cradling an Axe Like a Baby’: Angela Carter’s Lulu

Notes Works Cited

Part Two Philosophies

Works Cited

10 Angela Carter, Naturalist

Note Works Cited

11 The Surrealist Uncanny in Shadow Dance

Uncanny Returns Sexual/Textual Violence Notes Works Cited

Allegorically Speaking ‘What if Woman Really was a Castrated Man?’ Violent Games Tracing Male Desire Notes Works Cited

Shadow Dance and the Pre-Raphaelite Aesthetic Love and John Everett Millais Towards a Surrealist Ophelia Works Cited

Part Three Mythologies

Notes Works Cited

15 ‘Ambulant Fetish’: The Exotic Woman in ‘Black Venus’ and ‘Master’

Exotic Dancer Notes Works Cited

Works Cited

17 Through the Looking Glass: Playing with Schizophrenia and Surrealism in Shadow Dance

Playing with Neurotic Symptoms and Schizophrenia Through the Looking Glass: A Surrealist Dream World Notes Works Cited

Index