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Index
Cover Page
Half Title Page
Title Page
Copyright
Contents
Introduction
Chapter 1: The Transition to the Renaissance
Development of Polyphony
Guido d’Arezzo
The Notre-Dame School
Ars Nova
Ars Antiqua
Monophonic Secular Song
The Early Renaissance
The Court of Burgundy
New Religious Musical Forms
Secular Music
The Franco-Flemish School
Instrumental Music
Musical Forms
Toccata
Solo and Ensemble Instruments
Renaissance Vocal Music
Italy
England
France
Germany and Other Areas of Europe
Chapter 2: Renaissance Musical Instruments
Lute
Other Stringed Instruments
Theorbo
Rebec
Viol
Percussion Instruments
Organ
Stringed Keyboard Instruments
Clavichord
Harpsichord
Spinet
Psaltery
Virginal
Assorted Wind Instruments
Serpent
Chapter 3: Early Renaissance Composers
John Dunstable
Guillaume Dufay
Chanson
Binchois
Jean de Ockeghem
Jakob Obrecht
Josquin des Prez
Counterpoint in the Renaissance
Heinrich Isaac
Loyset Compère
Pierre de La Rue
Jean Mouton
Chapter 4: Later Renaissance Composers Active in Italy
Jacques Arcadelt
Frottole
Philippe de Monte
Orlando di Lasso
Giaches de Wert
Luca Marenzio
Carlo Gesualdo, principe di Venosa, conte di Conza
Renaissance Music Printers
Giovanni Pierluigi da Palestrina
Life
Music
Andrea Gabrieli
Giovanni Gabrieli
Claudio Monteverdi
The Gonzaga Court
Three Decades in Venice
Chapter 5: Later Renaissance Composers Active in England
Robert Fayrfax
John Taverner
Christopher Tye
Thomas Tallis
Fitzwilliam Virginal Book
William Byrd
Life
Legacy
Thomas Morley
John Dowland
John Bull
John Wilbye
Thomas Campion
Ayre
Francis Pilkington
Thomas Weelkes
Robert Johnson
Orlando Gibbons
Chapter 6: Later Renaissance Composers Active in Other Countries
Clément Janequin
Claudin de Sermisy
The Genevan Psalter
Loys Bourgeois
Claude Goudimel
Claude Le Jeune
Ludwig Senfl
Hans Leo Hassler
Lied
Cristóbal de Morales
Antonio de Cabezón
Villancico
Francisco Guerrero
Adriaan Willaert
Nicolas Gombert
Jacobus Clemens
Jan Pieterszoon Sweelinck
Conclusion
Glossary
Bibliography
Index
Back Cover
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