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Index
INTRODUCTION
Choosing a Display Setting Up a Color Correction Suite Configuring a Grading Theater Other Hardware for Color Correction How We See Color Luminance and Luma What Is Contrast? Evaluating Contrast Using Video Scopes Controls to Adjust Contrast Expanding Contrast Compressing Contrast Y′CbCr Luma Adjustments vs. RGB Luma Adjustments Redistributing Midtone Contrast Setting Appropriate Highlights and Shadows Contrast and Perception Contrast During Exhibition Dealing with Underexposure Dealing with Overexposure Color Temperature What Is Chroma? Analyzing Color Balance Using Color Balance Controls Color Temperature Controls Using Color Curves Saturation Adjustments Understanding and Controlling Color Contrast HSL Qualification in Theory Individual Qualifier Controls A Basic HSL Qualification Workflow Tips for Using and Optimizing HSL Qualifications Different Ways of Using HSL Qualifiers Hue Curve Adjustments Other Types of HSL Adjustments Shape UI and Controls Highlighting Subjects Creating Depth Shapes + HSL Qualifiers Aggressive Digital Relighting Shapes and Motion Grade Animation Controls Compared Correcting Changes in Exposure Correcting Hue Shifts Grade Transitions Using Through Edits and Dissolves Artificial Lighting Changes Creative Grade Animation What Are Memory Colors? Ideals for Skin Tone Techniques for Adjusting Complexion Using Secondaries Ideals for Skies Techniques for Adjusting Skies Ideals for Foliage Color Timing Strategies for Working with Clients How to Begin Balancing a Scene How to Match One Shot to Another Recycling Grades Scene Matching in Action Quality Control Issues That Affect Colorists Video Signal Standards and Limits Six Structured Steps to Legalizing Your Picture Monitoring and Legalizing Saturation in Detail RGB Color Space Legality and the RGB Parade Scope Other Video Scope Options for Broadcast Gamut Monitoring Creating Graphics and Animation with Legal Values Bleach Bypass Looks Blue-Green Swap Blurred and Colored Vignettes Color Undertones Cross-Processing Simulation Day-for-Night Treatments Duotones and Tritones Flashing Flattened Cartoon Color Glows, Blooms, and Gauze Looks Monitor and Phone Glow Sharpening Tints and Color Washes Vintage Film INDEX
1 SETTING UP A COLOR CORRECTION ENVIRONMENT 2 PRIMARY CONTRAST ADJUSTMENTS 3 PRIMARY COLOR ADJUSTMENTS 4 HSL QUALIFICATION AND HUE CURVES 5 SHAPES 6 ANIMATING GRADES 7 MEMORY COLORS: SKIN TONE, SKIES, AND FOLIAGE 8 SHOT MATCHING AND SCENE BALANCING 9 QUALITY CONTROL AND BROADCAST SAFE 10 CREATIVE TECHNIQUES
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