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Index
Cover Page
Title Page
Copyright Page
Dedication
Contents
Acknowledgments
Introduction: Literature, Culture, Fascism
Part One: The Fathers of French Literary Fascism
Chapter One: The Use and Abuse of Culture: Maurice Barrès and the Ideology of the Collective Subject
The Cult of the Self
Cultural and Racial Typologies
The Aesthetics of the Collective Subject
Chapter Two: The Beautiful Community: The Fascist Legacy of Charles Péguy
Aesthetic Socialism
Antimodernism and the Spiritualization of History
Nation, Culture, Race
Chapter Three: The Nation as Artwork: Charles Maurras and the Classical Origins of French Literary Fascism
Antiromantic Organicism
Integral Nationalism, Anti-Semitism, and the Aesthetic Power of the Monarch
Part Two: Literary Fascists
Chapter Four: Fascism as Aesthetic Experience: Robert Brasillach and the Politics of Literature
Nationalism, Fascism, and the Defense of Literature
Fascist Joy and the Aestheticizing of Experience
Chapter Five: The Fascist Imagined Community: The Myths of Europe and Totalitarian Man in Drieu la Rochelle
The Modernist Political Imagination
The Ideal of Total Art
The Fascist Imagination and the Myth of Europe
Aesthetic Ideals and Collaborationist Politics
Apocalyptic Fictions
Chapter Six: Literary Fascism and the Problem of Gender: The Aesthetics of the Body in Drieu la Rochelle
The Gender (s) of Fascism: Sartre, Adorno, Theweleit
The Fascist Aesthetics of the Body
The Trouble with Gender and the Ambivalence of Desire
Chapter Seven: Literary Anti-Semitism: The Poetics of Race in Drumont and Céline
The Aesthetic Totalization of the Other
Style and Race
The Politics of Language and the Poetics of Race
Chapter Eight: The Art of Anti-Semitic Rage: Lucien Rebatet's Aesthetics of Violence
Aesthetic Sensibility and Anti-Semitism
The Aesthetic Final Solution
Chapter Nine: A Literary Fascism beyond Fascism: Thierry Maulnier and the Ideology of Culture
Classicism, Humanism, Fascism
Tragedy, Violence, and the National Revolution
The Spirtitual Revolution and the Ideal of Culture
Afterword: Literary Fascism and the Case of Paul de Man
Notes to the Chapters
Index
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