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Index
Cover Page Title Page Copyright Page Contents Assimilate Acknowledgments Foreword by Stephen Mallinder Introduction: The Front Lines Part I Technology and the Preconditions of Industrial Music
Chapter 1 Italian Futurism Chapter 2 William S. Burroughs Chapter 3 Industrial Music and Art Music
Part II Industrial Geography
Chapter 4 Northern England Chapter 5 Berlin Chapter 6 San Francisco Chapter 7 Mail Art, Tape Technology, and the Network
Part III Industrial Musical Style
Chapter 8 The Tyranny of the Beat: Dance Music and Identity Crisis Chapter 9 “After Cease to Exist”: England 1981–1985 Chapter 10 Body to Body: Belgian EBM 1981–1985 Chapter 11 Industrial Music as a Theater of Cruelty Chapter 12 “She’s a Sleeping Beast”: Skinny Puppy and the Feminine Gothic
Part IV Industrial Politics
Chapter 13 Back and Forth: Industrial Music and Fascism Chapter 14 White Souls in Black Suits: Industrial Music and Race
Part V People and Industrial Music
Chapter 15 Wild Planet: WaxTrax! Records and Global Dance Scenes Chapter 16 Q: Why Do We Act Like Machines? A: We Do Not. Chapter 17 Death Chapter 18 Wonder Suture: From the Author’s Diary Postscript: Is There Any Escape for Noise?
Sources Cited Notes Index Footnotes
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