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Index
Cover Title Page Dedication Contents Acknowledgments Part One: The Public Problem
Chapter 1: The Public Domain
Love Outside the Public Domain Dead Public Space The Changes in the Public Domain The Past in the Present
Chapter 2: Roles
Roles Public Roles Public Roles in Cities Proof or Plausibility?
Part Two: The Public World of the Ancien Régime
Chapter 3: The Audience: A Gathering of Strangers
Who Came to the City Where they Lived Changes in the Urban Bourgeoisie Interchanges at Court and in the City
Chapter 4: Public Roles
The Body is a Mannequin Speech is a Sign The Impersonal Realm is Passionate
Chapter 5: Public and Private
There are Limits on Public Expression Natural Expression is Outside the Public Realm Public and Private are like a Molecule of Society The Molecule Split
Chapter 6: Man as Actor
The Common-Sense View of Man as Actor Diderot’s Paradox of Acting Rousseau’s Indictment of the City as Theater Rousseau’s Prophecies
Part Three: The Turmoil of Public Life in the 19th Century
Chapter 7: The Impact of Industrial Capitalism on Public Life
Was the 19th Century Urban Dweller a New Personage? The Localizing of the City Chance and Bourgeois Life Public Commodities
Chapter 8: Personality in Public
Balzac’s Vision of Personality as a Social Principle Personality in Public: New Images of the Body The Stage Tells a Truth the Street No Longer Tells Personality and the Private Family Revolts Against the Past Summary
Chapter 9: The Public Men of the 19th Century
The Actor The Spectator
Chapter 10: Collective Personality
1848: Individual Personality Triumphs over Class Gemeinschaft The Dreyfus Affair: Destructive Gemeinschaft Who is a Real Radical?
Part Four: The Intimate Society
Chapter 11: The End of Public Culture Chapter 12: Charisma Becomes Uncivilized
The Theories of Charisma Charisma and Ressentiment Electronics Entrenches the Silence of the Past The Star System
Chapter 13: Community Becomes Uncivilized
Barricades Built Around a Community Barricades Built from Within The Humane Costs of Community
Chapter 14: The Actor Deprived of his Art
Play is the Energy for Public Expression Narcissism Enervates This Energy The Mobilization of Narcissism and the Appearance of a New Class Narcissism is the Protestant Ethic of Modern Times
Conclusion: The Tyrannies of Intimacy Notes Appendix: “J’Accuse!” Index Copyright Page
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