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Index
Cover
Half Title
Title Page
TOC
List of Black and White Illustrations
List of Colour Plates
Preface to the 2nd edition
Part I. The Origins of Video Art: The Historical and Cultural Context
Introduction
1. In the Beginning: The Origins of Video Art
2. Crossing Boundaries: International Tendencies and Influences in Early Artists’ Video
3. Technology, Access and Context: Social and Political Activists and their Role in the Development of Video Art
4. Expanded Cinema: The Influence and Relationship of Experimental, Avant-Garde and ‘Underground’ Film to Artists’ Video
5. Musique Concrète, Fluxus and Tape Loops: The Influence and Impact of Sound Recording and Experimental Music on Video Art
6. Theory and Practice: The Influence and Impact of Theoretical Ideas on Early Technology-Based Practice in the 1970s and some Significant and Influential Figures in the Development of Theoretical Discourse and Their Impact on Contemporary Art after Modernism
7. Beyond The Lens: Abstract Video Imagery and Image Processing
Part II. A Discussion of Some Representative and Influential Video Artworks Set in Relation to Their Technical and Critical Context
8. In and Out of the Studio: The Advent of Inexpensive Non-Broadcast Video
9. Cutting It: Accessible Video Editing
10. Mixing It: Electronic/Digital Image Manipulation
11. The Gallery Opens its Doors: Video Installation and Projection
12. The Ubiquity of the Video Image: Artists’ Video as an International Phenomenon
Part III. The Development of Artists’ Video and Video Installation in Response to Technological Change and Accessibility
13. Fields, Lines and Frames: Video as an Electronic Medium
14. The Means of Production: Feminism and ‘Otherness’ – Race, Gender, Technology and Access
15. Off the Wall: Video Sculpture and Installation
16. Going Digital: The Emergence of Digital Video Editing, Processing and Effects
17. Video Art in the New Millennium: New Developments in Artists’ Video since 2000
Part IV. References
Glossary
Notes
Bibliography
Index
Copyright Page
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