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Imperial Library
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Index
Preface
Introduction
Small but Grand
What Does Improv Teach You?
Some Terms
Yes And
Denial
Top Of Your Intelligence
The Unusual Thing / Game of the Scene
Justifying / Saying Why
If This Is True, Then What Else Is True?
Suggestion / Initiation / Walk-Ons / Tags / Edits
Gifts / Endowments / Pimps
Del Close / Openings / Second Beats / Harolds / Connections
Be Present
Become The Most Riveting Person On The Stage
See It Land, Let It Land
Be Comfortable With Silence
Reps
Be Present Exercises
60 Seconds of Silence
Only Numbers
Doing “Zip Zap Zop” Correctly
Warm-Up Scenes
Word Association / Follow the Follower
Be Changeable
What Must Have Already Happened?
Be Committed, Not Attached
Keep the Music, Change the Lyrics
Every Line Is An Offer
Half-Offers
Empathy
Being Changeable Exercises
Character Matching
Pass the Card
La Ronde
Fighting Well in Scenes
Don’t = Do
Make the Accusation True
Reject Solutions
Argue That The World Is Flat
Sympathetic Disagreement
Exercises for Fighting In Scenes
Supervillain / Mastermind
Own It
A Real Reason
Be Brave
Know, Care, Say
“Find the Love”
“I come to an improv show to be blown away.”
Don’t Make It About Money
Don’t Let The Straight Men Win
You Do Not Have To Be Picked Up
Be Brave Exercises
I, You, We
Confessions
Blow Them Away
Follow the Follower / Sound and Movement
Compliment/Boast
Top Of The Scene
Start Chill
Look at Each Other
Starting With Object Work Downstage Right
Initiation Etiquette
The Inbound Pass
Yin and Yang
Don’t Be Allergic To The World
References
Top of the Scene Exercises
Practice Tough Beginnings
Difficult People
Playing With “Bad” People
The “That Guy” Phenomenon
Difficult Offstage
Be Authentic
Ground It
Playing It Real: Ping Pong Table Metaphor
Saying No: Pumping the Brakes
You Already Know The Real “Why”
Memento and Split-Brain Experiments
Take The Local
Sanford Meisner On Acting
Be Yourself
What Would YOU Say?
The Second Big Choice
Be Authentic Exercises
Truthful At All Costs
Object into Point of View
Start General, Get Specific
How Did You Become a [Blank]?
Be Funny
Surprise
Patterns
Be Ironic
Be A Good Voice of Reason
Be Unnecessarily Specific
Care
Joy
Name The Funny Thing
Initiating With Premise
Shoulds
Conclusion
Be Funny Exercises
You Wanted To See Me?
The Samurai
Be Healthy
Chill The Fuck Out
You Will Never Figure This Out
You Must Appreciate The Good In What You Do
How Do I Get Out Of My Head?
Don’t Quit Because of a Rut
How Should I Approach My Improv Audition?
Foxhole People
Friend Team
Team Meetings
Don’t Drink Too Much
Exercises for Being Healthy
Have Richer Source Material
Better Listening
Thoughts on Conventions and Forms
Conventions
The Harold
The Monoscene
Montage
An Unfair List of Pet Peeves and Personal Preferences
Final Thoughts
Is Improv A Road To Nowhere?
More About The Author
Acknowledgments
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