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Index
Cover
Dedication
Title
Contents
Introduction
Female in the Fifties
Chelsea – The Place To Be
Women, Youth and Language
A Charming Little Monster
PART ONE SEVEN WRITERS
1 Innocence and Experience
1958: Shelagh Delaney and A Taste of Honey
1960: Edna O’Brien and The Country Girls
1960: Lynne Reid Banks and The L-Shaped Room.
1963: Charlotte Bingham and Coronet Among the Weeds
1963: Nell Dunn, Up the Junction and Poor Cow
1964: Virginia Ironside and Chelsea Bird
1965: Margaret Forster and Georgy Girl
2 A Man’s World: Sexism
Purpose and Agency
Blaming Herself
Superman
Everyday Sexism in 1958
The Prostitute
Acceptance
3 Forbidden Kisses: Class
4 All False: Love
5 ‘I Wish I Had a Career’: Aspiration
6 The Great Unmentionable: Sex
7 Drowning in Delight: Motherhood
A Motherless Generation
Strong and Emotional
No Better Than a Street Woman
Getting Rid of It
8 A Rotten Bargain: Marriage
Marriage in Real Life
No Sort of Compliment
9 Good Old John: Race
The Age of the Lonely Londoners
10 Before the Urban Family: Friendship
Girlfriends
Men Friends
PART TWO OUT INTO THE WORLD
11 ‘Where Is Your Baby?’
The Chelsea Girl and the Sixties Chick
Where is your Baby?
Clothes and Consumption
12 Losing It at the Moves: Screen Adaptation
The Last Days of the British Film Industry
The Triumph of A Taste of Honey
Green Eyes
Not Really The L-Shaped Room
Hey There, Georgy Girl
Small Screen, Big Impact
13 A Stain Upon Womanhood
Nymphomaniacs Anonymous
Censorship and Offence
Small Town Vendetta
14 The Angry Young Men: The Literary Movement That Never Was
15 Backwards in High Heels: Success and After
Shelagh Delaney
Edna O’Brien
Lynne Reid Banks
Charlotte Bingham
Nell Dunn
Virginia Ironside
Margaret Forster
16 We Were Pioneers
Epilogue
Endnotes
Bibliography
Acknowledgements
Index
Plates
Copyright
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